Novel: The Professor of Desire
Overview
The Professor of Desire follows David Kepesh, a literary scholar whose life is defined by an insatiable erotic longing and a persistent tension between appetite and artistry. Set mostly in postwar America, the narrative revisits Kepesh's formative experiences and adult failures, moving fluidly between memory and present contemplation. Philip Roth frames the story as both a psychological case study and a wry, often painful meditation on desire's power to shape identity.
Roth uses Kepesh as a figure who embodies modern anxieties about selfhood, masculinity, and the cost of pursuing ecstatic experiences. The book avoids tidy resolutions, preferring instead to present desire as an engine that drives both creative imagination and personal self-destruction.
Plot and Structure
The novel opens with Kepesh as a middle-aged academic reflecting on the series of women who have occupied his life and the fantasies that continue to haunt him. Much of the plot consists of extended reminiscences: youthful obsessions, a humiliating early sexual encounter, and subsequent affairs that reveal recurring patterns of longing mixed with self-deprecation. These recollections are intercut with episodes from Kepesh's contemporary life, including an affair with a younger woman and his struggles in the classroom.
Structure is deliberately episodic and associative, mirroring the workings of memory and erotic fixation. Roth alternates lucid psychological insight with comedic embarrassment, allowing scenes to accumulate into a portrait that is as much internal analysis as it is external narrative.
Protagonist and Relationships
David Kepesh is an unconventional protagonist: erudite, narcissistic, and painfully aware of his own limitations. He is less a heroic seeker than a perpetually dissatisfied subject whose intelligence amplifies his longing rather than containing it. His relationships are ambivalent; intimacy often collapses into performance or possessiveness, and the women he loves are portrayed both as objects of desire and as individuals who expose his self-deceptions.
Kepesh's lovers range from a college sweetheart to more transient partners, each relationship providing a different mirror of his appetite. Roth gives these women depth and autonomy, even when Kepesh misreads or misunderstands them, which intensifies the novel's moral and emotional complexity.
Themes
Desire is the novel's primary vector: erotic hunger is not merely physical but existential, shaping Kepesh's sense of meaning and his creative ambitions. Roth probes how sexual longing intersects with memory and art, suggesting that the same impulses that drive literary imagination can also lead to moral blindness. The book repeatedly asks whether desire is a form of authenticity or a trap that prevents genuine connection.
Other themes include aging, academic life, and the tension between intellect and feeling. Kepesh's self-analysis raises questions about narrative reliability and self-fashioning, inviting readers to consider how stories of the self are constructed around fantasies as much as facts.
Style and Narrative Voice
Roth writes with wit, candor, and occasional cruelty, deploying a first-person voice that alternates between confessional intimacy and ironic distance. Sentences can be crisp and observational or luxuriantly digressive, reflecting a mind that scrutinizes itself relentlessly. The prose balances erotic frankness with intellectual reflection, creating a voice that is at once magnetic and discomfiting.
The novel's tone shifts fluidly between comedy and melancholy, allowing moments of sharp satire to coexist with painful vulnerability. This stylistic dexterity deepens the reader's engagement with Kepesh's contradictions.
Reception and Legacy
Upon publication, the book reinforced Roth's reputation for fearless psychological realism and provoked both admiration and discomfort for its unflinching portrayal of male desire. It occupies a key place in Roth's oeuvre, inaugurating the Kepesh persona that would reappear in later works and contributing to ongoing conversations about masculinity, sexuality, and the ethics of representation.
Decades later, The Professor of Desire remains notable for its probing intellectual energy and moral ambiguity, continuing to challenge readers who confront the uneasy interplay between yearning and self-knowledge.
The Professor of Desire follows David Kepesh, a literary scholar whose life is defined by an insatiable erotic longing and a persistent tension between appetite and artistry. Set mostly in postwar America, the narrative revisits Kepesh's formative experiences and adult failures, moving fluidly between memory and present contemplation. Philip Roth frames the story as both a psychological case study and a wry, often painful meditation on desire's power to shape identity.
Roth uses Kepesh as a figure who embodies modern anxieties about selfhood, masculinity, and the cost of pursuing ecstatic experiences. The book avoids tidy resolutions, preferring instead to present desire as an engine that drives both creative imagination and personal self-destruction.
Plot and Structure
The novel opens with Kepesh as a middle-aged academic reflecting on the series of women who have occupied his life and the fantasies that continue to haunt him. Much of the plot consists of extended reminiscences: youthful obsessions, a humiliating early sexual encounter, and subsequent affairs that reveal recurring patterns of longing mixed with self-deprecation. These recollections are intercut with episodes from Kepesh's contemporary life, including an affair with a younger woman and his struggles in the classroom.
Structure is deliberately episodic and associative, mirroring the workings of memory and erotic fixation. Roth alternates lucid psychological insight with comedic embarrassment, allowing scenes to accumulate into a portrait that is as much internal analysis as it is external narrative.
Protagonist and Relationships
David Kepesh is an unconventional protagonist: erudite, narcissistic, and painfully aware of his own limitations. He is less a heroic seeker than a perpetually dissatisfied subject whose intelligence amplifies his longing rather than containing it. His relationships are ambivalent; intimacy often collapses into performance or possessiveness, and the women he loves are portrayed both as objects of desire and as individuals who expose his self-deceptions.
Kepesh's lovers range from a college sweetheart to more transient partners, each relationship providing a different mirror of his appetite. Roth gives these women depth and autonomy, even when Kepesh misreads or misunderstands them, which intensifies the novel's moral and emotional complexity.
Themes
Desire is the novel's primary vector: erotic hunger is not merely physical but existential, shaping Kepesh's sense of meaning and his creative ambitions. Roth probes how sexual longing intersects with memory and art, suggesting that the same impulses that drive literary imagination can also lead to moral blindness. The book repeatedly asks whether desire is a form of authenticity or a trap that prevents genuine connection.
Other themes include aging, academic life, and the tension between intellect and feeling. Kepesh's self-analysis raises questions about narrative reliability and self-fashioning, inviting readers to consider how stories of the self are constructed around fantasies as much as facts.
Style and Narrative Voice
Roth writes with wit, candor, and occasional cruelty, deploying a first-person voice that alternates between confessional intimacy and ironic distance. Sentences can be crisp and observational or luxuriantly digressive, reflecting a mind that scrutinizes itself relentlessly. The prose balances erotic frankness with intellectual reflection, creating a voice that is at once magnetic and discomfiting.
The novel's tone shifts fluidly between comedy and melancholy, allowing moments of sharp satire to coexist with painful vulnerability. This stylistic dexterity deepens the reader's engagement with Kepesh's contradictions.
Reception and Legacy
Upon publication, the book reinforced Roth's reputation for fearless psychological realism and provoked both admiration and discomfort for its unflinching portrayal of male desire. It occupies a key place in Roth's oeuvre, inaugurating the Kepesh persona that would reappear in later works and contributing to ongoing conversations about masculinity, sexuality, and the ethics of representation.
Decades later, The Professor of Desire remains notable for its probing intellectual energy and moral ambiguity, continuing to challenge readers who confront the uneasy interplay between yearning and self-knowledge.
The Professor of Desire
Following the life of a professor (David Kepesh) wrestling with longing, memory, and failed relationships, the novel examines the interplay of erotic impulse and artistic ambition across a man's life.
- Publication Year: 1977
- Type: Novel
- Genre: Fiction, Bildungsroman
- Language: en
- Characters: David Kepesh
- View all works by Philip Roth on Amazon
Author: Philip Roth
Philip Roth biography covering his life, major works, themes, awards, controversies, and influence on American literature.
More about Philip Roth
- Occup.: Novelist
- From: USA
- Other works:
- Goodbye, Columbus (1959 Collection)
- Portnoy's Complaint (1969 Novel)
- The Breast (1972 Novella)
- The Ghost Writer (1979 Novel)
- Zuckerman Unbound (1981 Novel)
- The Anatomy Lesson (1983 Novel)
- The Counterlife (1986 Novel)
- Deception (1990 Novel)
- Patrimony: A True Story (1991 Memoir)
- Operation Shylock (1993 Novel)
- Sabbath's Theater (1995 Novel)
- American Pastoral (1997 Novel)
- I Married a Communist (1998 Novel)
- The Human Stain (2000 Novel)
- The Dying Animal (2001 Novel)
- The Plot Against America (2004 Novel)
- Everyman (2006 Novel)
- Indignation (2008 Novel)
- Nemesis (2010 Novel)