Play: The Visit
Overview
Friedrich Dürrenmatt's 1956 play "The Visit" is a darkly comic moral fable about revenge, justice and the corrosive power of money. Set in the economically ruined town of Guellen, the drama centers on Claire Zachanassian, an immensely wealthy woman who returns to the place of her youth seeking a peculiar form of recompense. Her arrival forces the townspeople to confront what they will sacrifice to escape poverty and how communal morality bends under financial temptation.
The play blends grotesque satire with tragic intensity, balancing moments of absurdity and cold social critique. Dürrenmatt keeps the action deliberately parabolic, turning characters into emblematic types, the bankrupt town, the seduced citizenry, the isolated scapegoat, so the story reads as both a particular event and a universal examination of ethical collapse.
Plot
Guellen is dying: businesses are shuttered, people are hungry, and hope is gone. Into this desperate atmosphere returns Claire Zachanassian, transformed from a poor girl into a fabulously rich, ostentatious figure whose presence immediately electrifies the town. She offers an astonishing proposition: she will give the townspeople a vast fortune on the condition that they kill Alfred Ill, the local shopkeeper and her former lover, whom she holds responsible for her ruined life. Claire frames her demand as a legal and moral exchange, wealth for vengeance.
At first the town refuses, shocking Claire with apparent integrity, and Alfred mocks the idea that his neighbors could betray him. But as small comforts and luxuries begin to appear, new credit, promises of investment, improvements that money can buy, the collective attitude changes. Civic leaders and ordinary citizens alike rationalize and negotiate the bargain, their moral resistance corroded by the immediate relief Claire's gift would bring. Alfred, increasingly isolated, recognizes the depth of the betrayal and tries to flee or appeal to conscience, but he is ultimately abandoned. The town stages his killing to look like an inevitable accident or a lawful execution, attempting to preserve a veneer of respectability even as they commit a communal crime. Claire departs with her victory, leaving Guellen materially restored but morally devastated.
Themes and Legacy
The play interrogates the fragile boundary between legality and morality, showing how economic desperation can transform ethical judgment into transaction. Dürrenmatt exposes the hypocrisy of civic institutions and the ease with which a community can be complicit in atrocity when self-interest justifies the means. The drama also explores vengeance as a corrosive force: Claire's immense wealth enables her revenge, but it also robs her of human solace, turning retribution into spectacle.
Dürrenmatt's use of irony and parable invites the audience to examine broader social and political dynamics: the commodification of justice, the vulnerability of democracy to bribery, and the human capacity for self-deception. "The Visit" endures as a powerful and unsettling work because it refuses tidy moral answers; instead it forces recognition of how ordinary people, under pressure, can become authors of their own moral undoing. The play's stark moral landscape and its blend of black humor and tragedy continue to resonate in discussions about wealth, accountability and collective responsibility.
Friedrich Dürrenmatt's 1956 play "The Visit" is a darkly comic moral fable about revenge, justice and the corrosive power of money. Set in the economically ruined town of Guellen, the drama centers on Claire Zachanassian, an immensely wealthy woman who returns to the place of her youth seeking a peculiar form of recompense. Her arrival forces the townspeople to confront what they will sacrifice to escape poverty and how communal morality bends under financial temptation.
The play blends grotesque satire with tragic intensity, balancing moments of absurdity and cold social critique. Dürrenmatt keeps the action deliberately parabolic, turning characters into emblematic types, the bankrupt town, the seduced citizenry, the isolated scapegoat, so the story reads as both a particular event and a universal examination of ethical collapse.
Plot
Guellen is dying: businesses are shuttered, people are hungry, and hope is gone. Into this desperate atmosphere returns Claire Zachanassian, transformed from a poor girl into a fabulously rich, ostentatious figure whose presence immediately electrifies the town. She offers an astonishing proposition: she will give the townspeople a vast fortune on the condition that they kill Alfred Ill, the local shopkeeper and her former lover, whom she holds responsible for her ruined life. Claire frames her demand as a legal and moral exchange, wealth for vengeance.
At first the town refuses, shocking Claire with apparent integrity, and Alfred mocks the idea that his neighbors could betray him. But as small comforts and luxuries begin to appear, new credit, promises of investment, improvements that money can buy, the collective attitude changes. Civic leaders and ordinary citizens alike rationalize and negotiate the bargain, their moral resistance corroded by the immediate relief Claire's gift would bring. Alfred, increasingly isolated, recognizes the depth of the betrayal and tries to flee or appeal to conscience, but he is ultimately abandoned. The town stages his killing to look like an inevitable accident or a lawful execution, attempting to preserve a veneer of respectability even as they commit a communal crime. Claire departs with her victory, leaving Guellen materially restored but morally devastated.
Themes and Legacy
The play interrogates the fragile boundary between legality and morality, showing how economic desperation can transform ethical judgment into transaction. Dürrenmatt exposes the hypocrisy of civic institutions and the ease with which a community can be complicit in atrocity when self-interest justifies the means. The drama also explores vengeance as a corrosive force: Claire's immense wealth enables her revenge, but it also robs her of human solace, turning retribution into spectacle.
Dürrenmatt's use of irony and parable invites the audience to examine broader social and political dynamics: the commodification of justice, the vulnerability of democracy to bribery, and the human capacity for self-deception. "The Visit" endures as a powerful and unsettling work because it refuses tidy moral answers; instead it forces recognition of how ordinary people, under pressure, can become authors of their own moral undoing. The play's stark moral landscape and its blend of black humor and tragedy continue to resonate in discussions about wealth, accountability and collective responsibility.
The Visit
Original Title: Der Besuch der alten Dame
The story of a wealthy woman, Claire Zachanassian, who returns to her impoverished hometown of Guellen and offers the residents a fortune in exchange for the life of her former lover, Alfred Ill.
- Publication Year: 1956
- Type: Play
- Genre: Drama, Tragicomedy
- Language: German
- Characters: Claire Zachanassian, Alfred Ill
- View all works by Friedrich Durrenmatt on Amazon
Author: Friedrich Durrenmatt

More about Friedrich Durrenmatt
- Occup.: Author
- From: Switzerland
- Other works:
- Romulus the Great (1949 Play)
- The Pledge (1958 Novel)
- The Physicists (1961 Play)
- The Trial of the 12 (1962 Play)