Poem: To a Skylark
Overview
Percy Bysshe Shelley's "To a Skylark" is an extended lyric that addresses the skylark as an embodiment of pure, ecstatic song. The poem opens with an apostrophic greeting to the bird and proceeds through a series of exalted questions and images that try to comprehend a joy that seems spontaneous, effortless, and otherworldly. The speaker contrasts the skylark's untainted felicity with human emotions, which are mixed with sorrow, memory, and desire.
Speaker and Address
The speaker figures the skylark as both muse and mystery, a "blithe Spirit" whose music pours forth without apparent cause or audience. This direct address turns the bird into an interlocutor and a model for the poet's own aspiration: an artist who produces pure song. Rather than attempting a simple naturalistic portrait, the voice treats the skylark as a symbol of creative and spiritual perfection, someone whose joy prompts wonder and longing in a human observer.
Imagery and Language
Shelley's language is lush and vividly synesthetic, blending sound, light, color, and motion to render the skylark's presence. The poem uses rapid, glittering metaphors, flowers, stars, wine, and aerial fire, to suggest the bird's intangibility and brilliance. Sensory images often move from one domain to another, so that music is likened to color and light, and feeling becomes a visible, almost luminous quality. The diction alternates between ecstatic exclamation and lyric meditation, creating a sense of continual elevation.
Themes
Central themes include the contrast between spontaneous natural joy and human consciousness, the nature of inspiration, and the desire to translate a sublime experience into language. The skylark's song seems to arise without self-reflection, while human joy is inseparable from thought, memory, and imperfection. The poem interrogates whether true, unmediated happiness is attainable for humans and whether poetry can bridge the gap between the skylark's immediate bliss and the reflective, language-bound mind.
Form and Sound
The poem's formal qualities reinforce its subject: a buoyant, musical verse that mirrors the skylark's upward flight. Short, repeated stanzas and skillful use of alliteration, assonance, and internal rhyme give the lines a ringing, airborne quality. Enjambment and rapid shifts of image sustain momentum and produce a sense of ecstatic overflow, as if language itself were trying to keep pace with the bird's uncontainable song. The rhetorical questions and apostrophes heighten intensity, turning admiration into urgent inquiry.
Significance and Legacy
"To a Skylark" stands as one of Shelley's most celebrated poems and a high point of Romantic lyricism, influential for its fusion of philosophical longing and sensory exuberance. Its depiction of the poet's desire for a purer mode of being and expression resonates with broader Romantic preoccupations: the value of imagination, the pursuit of transcendent truth, and the tension between nature's immediacy and human artifice. The poem continues to be admired for its imaginative energy and its daring attempt to make language approximate the ineffable.
Citation Formats
APA Style (7th ed.)
To a skylark. (2025, August 28). FixQuotes. https://fixquotes.com/works/to-a-skylark/
Chicago Style
"To a Skylark." FixQuotes. August 28, 2025. https://fixquotes.com/works/to-a-skylark/.
MLA Style (9th ed.)
"To a Skylark." FixQuotes, 28 Aug. 2025, https://fixquotes.com/works/to-a-skylark/. Accessed 12 Feb. 2026.
To a Skylark
An extended lyric praising the skylark's ecstatic song as emblematic of pure poetic inspiration and spiritual joy; Shelley contrasts the bird's spontaneous, unbounded utterance with human limitations.
- Published1820
- TypePoem
- GenreLyric Poetry, Romantic poetry
- Languageen
About the Author

Percy Bysshe Shelley
Percy Bysshe Shelley exploring his life, radical ideas, major poems, relationships, and lasting influence on Romantic poetry.
View Profile- OccupationPoet
- FromEngland
-
Other Works
- St. Irvyne; or, The Rosicrucian (1811)
- Queen Mab (1813)
- Mont Blanc; Lines Written in the Vale of Chamouni (1816)
- Hymn to Intellectual Beauty (1816)
- Alastor; or, The Spirit of Solitude (1816)
- Ozymandias (1818)
- Julian and Maddalo (1818)
- The Revolt of Islam (1818)
- The Masque of Anarchy (1819)
- Ode to the West Wind (1819)
- The Cenci (1819)
- Song to the Men of England (1819)
- The Sensitive Plant (1820)
- Prometheus Unbound (1820)
- The Cloud (1820)
- Adonais: An Elegy on the Death of John Keats (1821)
- A Defence of Poetry (1821)
- Epipsychidion (1821)
- Hellas (1822)