Novel: Truth and Consequences
Overview
Alison Lurie's novel Truth and Consequences (2005) is a quietly sharp comedy of manners set in the microcosm of a small New England college. At its heart are two marriages whose routines and assumptions are unsettled by a web of professional jealousies, personal infidelities, and the small cruelties that academic life can amplify. Lurie watches her characters with amused but clear-eyed attention, exposing how ordinary ambitions and resentments can ripple outward and reshape lives.
The novel unfolds as a sequence of misunderstandings and rivalries that move between offices, faculty meetings, and private homes. The narrative dwells on the social choreography of the college community and the ways its rituals conceal as much as they reveal. Lurie's eye for detail renders both the absurdities of institutional life and the particular vulnerabilities of her characters with equal compassion.
Plot
Truth and Consequences follows overlapping arcs in which professional competition and personal longing become dangerously entangled. Quiet tensions among faculty members slowly escalate when ambitions and slights, some petty, some longstanding, are translated into concrete actions that affect careers and reputations. Small deceptions multiply: flirtations are misinterpreted, confidential remarks leak, and decisions made for professional advantage create collateral damage in private relationships.
As stakes rise, the involved couples are forced to confront truths they had preferred to leave unexamined. What begins as a series of awkward encounters and office politics grows into a crisis that touches students and administrators as well as spouses and friends. The novel's turning points are rarely melodramatic; instead Lurie makes the accumulation of missteps and withheld information feel inevitable, and the eventual reckonings feel earned rather than contrived.
Characters
Lurie populates the story with a cast of vividly sketched people: established professors set in their ways, younger colleagues eager to advance, spouses who have grown resentful of small, ongoing slights, and peripheral figures whose loyalties shift as events unfold. None are caricatures; even those who act badly are shown to be understandable in their motives, from wounded pride to fear of irrelevance.
The central couples serve as mirrors for one another, each relationship revealing different facets of commitment, compromise, and self-deception. Supporting characters, administrators, old friends, and former lovers, provide contrast and catalyze decisions that prove pivotal. Lurie's strength lies in allowing these personalities to collide in ways that illuminate rather than merely titillate.
Themes
Truth and Consequences interrogates the gap between private realities and public personas. The title points to the moral arithmetic Lurie explores: truth can be liberating, but its revelation has real costs, and concealment often has its own price. The novel also considers the corrosive effects of professional ambition and the petty hierarchies that sustain academic life, showing how institutions can magnify personal grievances.
Beneath the satire, the book is quietly concerned with empathy and forgiveness. Lurie probes how people reconstruct their stories about themselves and others, how they rationalize misbehavior, and how small acts of honesty or kindness can alter trajectories. The work asks whether people can learn from mistakes or are doomed to repeat them.
Tone and Style
Lurie writes with a delicate blend of wit and compassion. Her prose is precise and observant, delivering comic bars without cruelty and pain without melodrama. The pacing allows for leisurely accumulation of detail, so that revelations land with nuanced force rather than shock.
Ultimately, Truth and Consequences reads like a humane fable about the ordinary dramas of adult life. It is an elegant, satirical study of how private and professional worlds intersect, and how the pursuit of truth inevitably brings consequences both salutary and painful.
Alison Lurie's novel Truth and Consequences (2005) is a quietly sharp comedy of manners set in the microcosm of a small New England college. At its heart are two marriages whose routines and assumptions are unsettled by a web of professional jealousies, personal infidelities, and the small cruelties that academic life can amplify. Lurie watches her characters with amused but clear-eyed attention, exposing how ordinary ambitions and resentments can ripple outward and reshape lives.
The novel unfolds as a sequence of misunderstandings and rivalries that move between offices, faculty meetings, and private homes. The narrative dwells on the social choreography of the college community and the ways its rituals conceal as much as they reveal. Lurie's eye for detail renders both the absurdities of institutional life and the particular vulnerabilities of her characters with equal compassion.
Plot
Truth and Consequences follows overlapping arcs in which professional competition and personal longing become dangerously entangled. Quiet tensions among faculty members slowly escalate when ambitions and slights, some petty, some longstanding, are translated into concrete actions that affect careers and reputations. Small deceptions multiply: flirtations are misinterpreted, confidential remarks leak, and decisions made for professional advantage create collateral damage in private relationships.
As stakes rise, the involved couples are forced to confront truths they had preferred to leave unexamined. What begins as a series of awkward encounters and office politics grows into a crisis that touches students and administrators as well as spouses and friends. The novel's turning points are rarely melodramatic; instead Lurie makes the accumulation of missteps and withheld information feel inevitable, and the eventual reckonings feel earned rather than contrived.
Characters
Lurie populates the story with a cast of vividly sketched people: established professors set in their ways, younger colleagues eager to advance, spouses who have grown resentful of small, ongoing slights, and peripheral figures whose loyalties shift as events unfold. None are caricatures; even those who act badly are shown to be understandable in their motives, from wounded pride to fear of irrelevance.
The central couples serve as mirrors for one another, each relationship revealing different facets of commitment, compromise, and self-deception. Supporting characters, administrators, old friends, and former lovers, provide contrast and catalyze decisions that prove pivotal. Lurie's strength lies in allowing these personalities to collide in ways that illuminate rather than merely titillate.
Themes
Truth and Consequences interrogates the gap between private realities and public personas. The title points to the moral arithmetic Lurie explores: truth can be liberating, but its revelation has real costs, and concealment often has its own price. The novel also considers the corrosive effects of professional ambition and the petty hierarchies that sustain academic life, showing how institutions can magnify personal grievances.
Beneath the satire, the book is quietly concerned with empathy and forgiveness. Lurie probes how people reconstruct their stories about themselves and others, how they rationalize misbehavior, and how small acts of honesty or kindness can alter trajectories. The work asks whether people can learn from mistakes or are doomed to repeat them.
Tone and Style
Lurie writes with a delicate blend of wit and compassion. Her prose is precise and observant, delivering comic bars without cruelty and pain without melodrama. The pacing allows for leisurely accumulation of detail, so that revelations land with nuanced force rather than shock.
Ultimately, Truth and Consequences reads like a humane fable about the ordinary dramas of adult life. It is an elegant, satirical study of how private and professional worlds intersect, and how the pursuit of truth inevitably brings consequences both salutary and painful.
Truth and Consequences
Two marriages are thrown into chaos by a series of intertwined professional and personal rivalries at a fictional university.
- Publication Year: 2005
- Type: Novel
- Genre: Fiction
- Language: English
- Characters: Alan Mackenzie, Jane Mackenzie, Delia Naughton, Henry Naughton
- View all works by Alison Lurie on Amazon
Author: Alison Lurie

More about Alison Lurie
- Occup.: Novelist
- From: USA
- Other works:
- Love and Friendship (1962 Novel)
- The Nowhere City (1965 Novel)
- Imaginary Friends (1967 Novel)
- Real People (1969 Novel)
- The War Between the Tates (1974 Novel)
- Only Children (1979 Novel)
- Foreign Affairs (1984 Novel)
- The Truth About Lorin Jones (1988 Novel)
- Women and Ghosts (1994 Short Story Collection)
- The Last Resort (1998 Novel)