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Remorse en traje de noche (1952) by Luis Cernuda |
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Riders to the Sea (1904) by John Millington Synge |
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Ring Round the Moon (1947) by Jean Anouilh |
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Rockaby (1981) by Samuel Beckett |
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Romulus the Great (1949) by Friedrich Durrenmatt |
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Saltimbanco (1992) by Guy Laliberte |
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Samson Agonistes (1671) by John Milton |
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Sapho and Phao (1584) by John Lyly |
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Sardanapalus (1821) by Lord Byron |
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Saved (1965) by Edward Bond |
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Scandalabra (1933) by Zelda Fitzgerald |
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Scapin the Schemer (1671) by Moliere |
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Sejanus His Fall (1603) by Ben Jonson |
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Seven Against Thebes (-467) by Aeschylus |
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Seven Guitars (1995) by August Wilson |
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She Stoops to Conquer (1773) by Oliver Goldsmith |
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Show Boat (1927) by Oscar Hammerstein |
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Sigurd Jorsalfar (1872) by Bjørnstjerne Bjørnson |
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Simply Heavenly (1957) by Langston Hughes |
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Skylight (1995) by David Hare |
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Slag (1970) by David Hare |
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South Pacific (1949) by Oscar Hammerstein |
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Strife (1909) by John Galsworthy |
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Stuff Happens (2004) by David Hare |
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Sweet Lavender (1888) by Arthur W. Pinero |
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Tartuffe (or The Impostor) (1664) by Moliere |
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That Time (1976) by Samuel Beckett |
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The Absence of War (1993) by David Hare |
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The Acharnians (-425) by Aristophanes |
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The Admirable Crichton (1902) by J. M. Barrie |
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The Admirable Crichton (1902) by James M. Barrie |
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The Adulateur (1772) by Mercy Otis Warren |
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The Alchemist (1610) by Ben Jonson |
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The Author's Farce (1730) by Henry Fielding |
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The Beggar's Opera (1728) by John Gay |
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The Best Man (1960) by Gore Vidal |
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The Birds (-414) by Aristophanes |
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The Birthday Party (1957) by Harold Pinter |
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The Blue Room (1998) by David Hare |
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The Bores (1661) by Moliere |
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The Bourgeois Gentleman (1670) by Moliere |
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The Brass Butterfly (1958) by William Golding |
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The Bundle (1978) by Edward Bond |
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The Bungler (1655) by Moliere |
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The Burial at Thebes: A Version of Sophocles' Antigone (2004) by Seamus Heaney |
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The Caretaker (1960) by Harold Pinter |
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The Caucasian Chalk Circle (1948) by Bertolt Brecht |
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The Cenci (1819) by Percy Bysshe Shelley |
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The Cocktail Party (1949) by T. S. Eliot |
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The Countess Cathleen (1892) by William Butler Yeats |
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The Covent-Garden Tragedy (1732) by Henry Fielding |
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The Critic (1779) by Richard Brinsley Sheridan |
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The Crucible (1953) by Arthur Miller |
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The Cure at Troy: A Version of Sophocles' Philoctetes (1990) by Seamus Heaney |
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The Darker Face of the Earth (1996) by Rita Dove |
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The Debutante Ball (1985) by Beth Henley |
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The Defeat (1779) by Mercy Otis Warren |
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The Devil's Law-Case (1623) by John Webster |
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The Dock Brief (1958) by John Mortimer |
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The Doctor in Spite of Himself (1666) by Moliere |
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The Doctor Krupov (1856) by Alexander Herzen |
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The Dover Road (1921) by A. A. Milne |
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The Duchess of Malfi (1614) by John Webster |
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The Duenna (1775) by Richard Brinsley Sheridan |
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The Dumb Waiter (1957) by Harold Pinter |
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The Entertainer (1957) by John Osborne |
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The Eumenides (-458) by Aeschylus |
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The Fall of the City (1937) by Archibald MacLeish |
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The Fan (1765) by Carlo Goldoni |
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The Farmer (-350) by Antiphanes |
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The Fool (1975) by Edward Bond |
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The Forced Marriage (1664) by Moliere |
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The Fourth Wall (1928) by A. A. Milne |
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The Gay Lord Quex (1899) by Arthur W. Pinero |
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The Good Person of Szechwan (1943) by Bertolt Brecht |
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The Good-Humoured Ladies (1748) by Carlo Goldoni |
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The Good-Natur'd Man (1768) by Oliver Goldsmith |
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The Government Inspector (1836) by Nikolai Gogol |
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The Great Broxopp (1923) by A. A. Milne |
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The Group (1775) by Mercy Otis Warren |
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The Heidi Chronicles (1988) by Wendy Wasserstein |
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The Homecoming (1964) by Harold Pinter |
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The Homecoming of Beorhtnoth Beorhthelm's Son (1953) by J. R. R. Tolkien |
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The Hotel in Amsterdam (1968) by John Osborne |
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The House of Bernarda Alba (1936) by Federico Garcia Lorca |
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The Imaginary Invalid (1673) by Moliere |
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The Ivory Door (1929) by A. A. Milne |
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The Judas Kiss (1998) by David Hare |
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The King and I (1951) by Oscar Hammerstein |
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The King's Henchman (1927) by Edna St. Vincent Millay |
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The Lamp and the Bell (1921) by Edna St. Vincent Millay |
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The Lark (1953) by Jean Anouilh |
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The Last Yankee (1991) by Arthur Miller |
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The Learned Ladies (1672) by Moliere |
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The Libation Bearers (-458) by Aeschylus |
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The Linden Tree (1947) by J.B. Priestley |
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The Lovesick One (1656) by Moliere |
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The Lucky Spot (1987) by Beth Henley |
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The Magistrate (1885) by Arthur W. Pinero |
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The Making of Moo (1957) by Nigel Dennis |
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The Man Born to Be King (1941) by Dorothy L. Sayers |
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The Melting-Pot (1908) by Israel Zangwill |
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The Misanthrope (1666) by Moliere |
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The Miser (1668) by Moliere |
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The Miss Firecracker Contest (1980) by Beth Henley |
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The Mousetrap (1952) by Agatha Christie |
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The Mysterious Mother (1768) by Horace Walpole |
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The Night Thoreau Spent in Jail (1970) by Jerome Lawrence |
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The Notorious Mrs. Ebbsmith (1895) by Arthur W. Pinero |
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The Old Glory (1964) by Robert Lowell |
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The Persians (-472) by Aeschylus |
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The Physicists (1961) by Friedrich Durrenmatt |
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The Piano Lesson (1987) by August Wilson |
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The Playboy of the Western World (1907) by John Millington Synge |
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The Plough and the Stars (1926) by Sean O'Casey |
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The Post Office (1912) by Rabindranath Tagore |
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The Pretentious Young Ladies (1659) by Moliere |
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The Price (1968) by Arthur Miller |
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The Princess of Elis (1664) by Moliere |
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The Private Ear (1962) by Peter Shaffer |
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The Public Eye (1959) by Peter Shaffer |
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The Rehearsal, or Love Punished (1938) by Jean Anouilh |
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The Rivals (1775) by Richard Brinsley Sheridan |
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The Romantic Age (1920) by A. A. Milne |
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The Royal Hunt of the Sun (1964) by Peter Shaffer |
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The School for Husbands (1661) by Moliere |
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The School for Scandal (1777) by Richard Brinsley Sheridan |
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The School for Wives (1662) by Moliere |
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The Schoolmistress (1886) by Arthur W. Pinero |
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The Sea (1973) by Edward Bond |
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The Second Mrs Tanqueray (1893) by Arthur W. Pinero |
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The Servant of Two Masters (1746) by Carlo Goldoni |
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The Shadow of a Gunman (1923) by Sean O'Casey |
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The Sicilian, or Love the Painter (1667) by Moliere |
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The Siege of Numantia (1585) by Miguel de Cervantes |
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The Silver Box (1906) by John Galsworthy |
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The Silver Tassie (1928) by Sean O'Casey |
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The Sisters Rosensweig (1992) by Wendy Wasserstein |
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The Skin Game (1920) by John Galsworthy |
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The Skin of Our Teeth (1942) by Thornton Wilder |
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The Sound of Music (1959) by Oscar Hammerstein |
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The Splendor and Death of Joaquín Murieta (1967) by Pablo Neruda |
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The Story of the Gadsbys (1888) by Rudyard Kipling |
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The Suppliants (-460) by Aeschylus |
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The Temple Beau (1730) by Henry Fielding |
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The Thieves' Ball (1938) by Jean Anouilh |
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The Threepenny Opera (1928) by Bertolt Brecht |
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The Tiger and the Horse (1964) by Robert Bolt |
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The Tinker's Wedding (1909) by John Millington Synge |
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The Toys of Peace (1909) by Hector Hugh Munro |
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The Trachiniae (-450) by Sophocles |
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The Tragedy of Cleopatra (1594) by Samuel Daniel |
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The Tragedy of Pompey the Great (1910) by John Masefield |
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The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great (1731) by Henry Fielding |
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The Traveler Without Luggage (1937) by Jean Anouilh |
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The Truth About Blayds (1921) by A. A. Milne |
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The Two Foscari (1821) by Lord Byron |
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The Venetian Twins (1747) by Carlo Goldoni |
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The Visit (1956) by Friedrich Durrenmatt |
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The Wake of Jamey Foster (1982) by Beth Henley |
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The Wandering Minstrel (1834) by Henry Mayhew |
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The Well of the Saints (1905) by John Millington Synge |
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The What d'Ye Call It? (1715) by John Gay |
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The White Devil (1612) by John Webster |
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The Woman (1978) by Edward Bond |
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The Women of Troy (-415) by Euripides |
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Thesmophoriazusae (-411) by Aristophanes |
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Third (2005) by Wendy Wasserstein |
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Time and the Conways (1937) by J.B. Priestley |
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Tortesa, the Usurer (1839) by Nathaniel Parker Willis |
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True West (1980) by Sam Shepard |
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Trumpets and Raspberries (1981) by Dario Fo |
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Two Plays for Puritans (1958) by Nigel Dennis |
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Two Trains Running (1990) by August Wilson |
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Uncommon Women and Others (1977) by Wendy Wasserstein |
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Under Milk Wood (1954) by Dylan Thomas |
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Victoria Regina (1934) by Laurence Housman |
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Volpone (1606) by Ben Jonson |
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Voulez-vous jouer avec moâ? (1923) by Marcel Achard |
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Waiting for Godot (1953) by Samuel Beckett |
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Wasps (-422) by Aristophanes |
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What Every Woman Knows (1908) by James M. Barrie |
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When We Are Married (1938) by J.B. Priestley |
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Yerma (1934) by Federico Garcia Lorca |
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Zumanity (2003) by Guy Laliberte |