Dziga Vertov Biography
| Born as | David Abelevich Kaufman |
| Occup. | Director |
| From | Russia |
| Spouse | Elizaveta Svilova |
| Born | January 2, 1896
Bialystok, Russian Empire |
| Died | February 12, 1954
Moscow, Soviet Union |
| Cause | Heart attack |
| Aged | 58 years |
Dziga Vertov, born Denis Arkadyevich Kaufman, was a Russian filmmaker, writer, and philosopher that played a vital duty in the development of Soviet movie theater in the early 20th century. Born upon January 2, 1896, in Białystok, then part of the Russian Empire as well as currently in Poland, Vertov came from a Jewish family. He pursued his key education and learning at home, after which he studied music at the Mikhailov Trade School.
In 1916, Vertov registered at Petrograd Psychoneurological Institute, where he ended up being included with the Marxist movement. It was throughout this time that he created a keen interest in filmmaking, identifying the tool's possibility for social adjustment. After finishing his research studies at the Institute, Vertov started his filmmaking occupation in 1918 as an author, editor, and also cinematographer for the Kino-Nedelya newsreel series, the first such series in Soviet Russia.
His adoption of the pseudonym "Dziga Vertov," which translates to "spinning leading" in Ukrainian, functions as a depiction of his enthusiasm and also power for filmmaking. Vertov, together with his wife and also fellow filmmaker Elizaveta Svilova, and also cinematographer sibling Mikhail Kaufman, developed a team called Kinoks (Kino-ochki), dedicated to producing newsreels or docudramas that caught the significance of modern life, referred to as "kino-pravda" or "movie theater fact."
Vertov's career took off in the 1920s as he directed countless documentaries that showcased the rapid modernization and also industrialization of the Soviet Union. His innovative strategies, such as montage as well as a focus on females's roles in society, established him in addition to his contemporaries. One of his most considerable contributions to docudrama production during this duration was the idea of "kino-eye," which stressed the suggestion that the cam might expose hidden truths about the globe.
Vertov's many seriously acclaimed film, "Man with a Movie Camera," was released in 1929. The film is a groundbreaking work that states a day in the life of a Soviet city without making use of any stars or a traditional story. "Man with a Movie Camera" utilizes innovative cinematography, rapid-cut editing and enhancing, split displays, and also various other innovative techniques that contributed to the advancement of the docudrama category and also modern filmmaking.
Regardless of the success of his very early job, Vertov's individualistic style often encountered Soviet film policy. As socialist realism ended up being the leading setting for Soviet cinema in the 1930s, Vertov's concentrate on speculative and also nonfiction job fell out of favor. He remained to direct feature-length documentaries, such as "Three Songs of Lenin" (1934) as well as "Lullaby" (1937), which were commended for their technical mastery and accuracy however did not line up with the beliefs of the time.
Vertov's imaginative strategy remained to discover acknowledgment in worldwide film circles, also as his job slowed down following World War II. He passed away on February 12, 1954, in Moscow, USSR (now Russia). Today, Dziga Vertov is commemorated as a leader of documentary and progressive filmmaking, as well as his work continues to influence modern filmmakers and also theorists alike.
Our collection contains 1 quotes who is written / told by Dziga.
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