Facts about Walter Salles

Occup.Director
FromBrazil
BornApril 12, 1956
Age68 years

Summary

Walter Salles is a famous Director from Brazil, he/she is 68 years old and still alive, born April 12, 1956.

Our collection contains 26 quotes who is written / told by Walter.

Related authors: Gael Garcia Bernal (Actor)

26 Famous quotes by Walter Salles

Small: The Sundance Institute has been vital to the film communities of Latin America
"The Sundance Institute has been vital to the film communities of Latin America"
Small: When I come to London, I always like to see whats playing at the NFT
"When I come to London, I always like to see what's playing at the NFT"
Small: Also, I knew that the impact of Motorcycle Diaries was going to be so resonant for all of us who went t
"Also, I knew that the impact of Motorcycle Diaries was going to be so resonant for all of us who went through the experience of making it that I didn't want to do anything that could reflect it"
Small: The Peruvian faces are completely different from that faces in Argentina and in Brazil
"The Peruvian faces are completely different from that faces in Argentina and in Brazil"
Small: On the contrary, Im a strong believer in the necessity of imperfection coming into the film
"On the contrary, I'm a strong believer in the necessity of imperfection coming into the film"
Small: My father was a diplomat for part of his life and I jumped from country to country and culture to cultu
"My father was a diplomat for part of his life and I jumped from country to country and culture to culture"
Small: Im much more interested in living specific experiences in films
"I'm much more interested in living specific experiences in films"
Small: We all knew the book well because its the cult book in Latin America. For me, this was a sacred territo
"We all knew the book well because it's the cult book in Latin America. For me, this was a sacred territory. I would not have ventured into it by myself"
Small: The necessity to conceptualise has to come very early on, and defining a vector of development for that
"The necessity to conceptualise has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along"
Small: So the search for a father in Central Station is also a search for a country
"So the search for a father in Central Station is also a search for a country"
Small: There are still 500,000 persons afflicted with leprosy in Latin America, so it is still very much prese
"There are still 500,000 persons afflicted with leprosy in Latin America, so it is still very much present"
Small: The films that Ive done before were original stories most of the time, I did two adaptations before thi
"The films that I've done before were original stories most of the time, I did two adaptations before this, but they were mostly original stories where I had complete freedom to evolve in the direction I wanted"
Small: I come from a country and also a continent whose identity is in the making. Were a very young culture,
"I come from a country and also a continent whose identity is in the making. We're a very young culture, and I think that things are not yet crystallised"
Small: And my generation in Brazil was influenced by Cinema Novo. So were echoing whats been done way in the p
"And my generation in Brazil was influenced by Cinema Novo. So we're echoing what's been done way in the past"
Small: So when I was very young, I longed for Brazil
"So when I was very young, I longed for Brazil"
Small: But I also think that the more you reason collectively about what the project should be at the beginnin
"But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later"
Small: Thats why I have always admired documentaries, because they open windows that can make you understand m
"That's why I have always admired documentaries, because they open windows that can make you understand much better where you come from, much better than fiction, I think"
Small: I did documentaries for maybe 10 years before I turned to fiction films
"I did documentaries for maybe 10 years before I turned to fiction films"
Small: Also, there are now new laws in Brazil which create incentives for Argentine and Latin American films t
"Also, there are now new laws in Brazil which create incentives for Argentine and Latin American films to be premiered and distributed in Brazil and vice versa"
Small: So I feel a responsibility to help first-time film-makers in Brazil, but also to increase the dialogue
"So I feel a responsibility to help first-time film-makers in Brazil, but also to increase the dialogue between film cultures which are really wonderful and so much closer to us than what we do see on our screens"
Small: The other aspect is that you become much more aware of the structural problems that pertain to that con
"The other aspect is that you become much more aware of the structural problems that pertain to that continent. You feel the need to act to try and solve them"
Small: No, I worked a lot for European television, doing documentaries in Brazil
"No, I worked a lot for European television, doing documentaries in Brazil"
Small: It was a complex endeavor so without Robert Redfords constant support we wouldnt have gotten to the end
"It was a complex endeavor so without Robert Redford's constant support we wouldn't have gotten to the end"
Small: I went to Cuba maybe eight or nine times
"I went to Cuba maybe eight or nine times"
Small: I come from Brazil, which is a Portuguese speaking part of the continent
"I come from Brazil, which is a Portuguese speaking part of the continent"
Small: A filmmaker can never be distant from his roots
"A filmmaker can never be distant from his roots"