All the Wilderness (2014)

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Keeping to himself in the wake his father's death, James Charm finds refuge in solitary walks and creating morbid sketches — until a charismatic new friend and a quirky young woman begin to draw him out of his shell.

All the Wilderness Overview
The 2014 movie "All the Wilderness" is a drama that revolves around a struggling individual called James Charm (Kodi Smit-McPhee), who is grappling with his dad's death and finding his course in life. This movie thoroughly explores themes such as sorrow, adolescence, self-discovery, and familial relationships. Directed by Michael Johnson, this film explores the protagonist's journey through wilderness and urban life, underlining plain distinctions and the impact on a young mind.

Plot Summary
James is a socially uncomfortable teen dealing with his dad's current death and resistant to his mother's desire for him to see a child psychologist named Dr. Pembry (Danny DeVito). A fan of sketching and nature, James spends his time seeking solace in the wilderness or sketching various dead animals. He begins to anticipate death, which distances him from his peers but pulls him closer to reality's extreme realities.

One day James experiences Harmon (Evan Ross), a street musician who introduces him to a totally various world - a vibrant cityscape critical with jazzy clubs, neon streets, and fascinating brand-new individuals. Among them is Val (Isabelle Fuhrman), a beautiful woman with whom James starts a sweet and innocent relationship. This brand-new environment prompts James to experience life outside his comfort zone and forces him to explore his inner disputes and emotions consciously.

Character Development
The film takes its time to depict James' improvement throughout, from a shy, grieving teen to somebody more understanding and open to life experiences. His friendships with Harmon and Val, each representing different life aspects, substantially contribute to his development.

Meaning and Themes
The wilderness, serving as a symbol of James' privacy and melancholy, initially is his refuge. As he starts to check out the city, the wilderness develops into a metaphorical representation of his self-imposed isolation and unwillingness to process his injury. The film relies greatly on meaning and gorgeous cinematography to narrate the touching story, often juxtaposing scenes from the contrasting wilderness and city landscapes to mirror James' inner turmoil and development. The film takes an introspective look at sorrow, self-discovery, and the significance of stepping out of one's comfort zone.

Ending
In the end, James discovers to handle his sorrow and accept his father's death rather of forecasting more deaths or isolating himself. He realizes that he has permitted his sorrow to consume his life and decides to accept all that the alleys of life deal. The depiction of James' catharsis and his supreme decision to stay in the city, hence leaving his 'wilderness,' signifies his approval of his dad's death and his preparedness to confront life and its bothersome realities head-on.

Last Remarks
"All the Wilderness" is a profound analysis of a teenager's mind handling extreme sorrow and solitude. The shuffling between the wilderness and city scenes provides an interesting backdrop that powers the movie's plot and the protagonist's advancement. The overarching style of self-discovery, integrated with the extreme characterization of James Charm, makes "All the Wilderness" an impacting journey depicting pain, development, and supreme acceptance.

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