Angela & Viril (1993)

Angela & Viril Poster

While Angela meditates, Viril is typing the numbers one through one thousand.

Introduction
"Angela & Viril" is a French brief film launched in 1993, directed by Thierry de Peretti, based upon the play "And They Put Handcuffs on the Flowers" by Fernando Arrabal. The movie stars Veronica Lazar and Marcello Mazzarella as Angela and Viril, two young fans who are psychologically challenged and restricted to a psychiatric institution. The film checks out themes of love, society's perception of mental illness, and the human condition.

Plot Summary
The movie opens with Angela and Viril sitting on a bench by the sea, relatively the only two occupants of a desolate and spooky landscape. Angela, an ideal embodiment of innocence and vulnerability, awaits the arrival of her boyfriend Viril, who is delegated with a set of handcuffs by a mysterious human figure that towers over the whole scene. This figure represents society and its control over the couple's fate, as well as its power to impose the restrictions and boundaries of the organization they remain in.

As Viril puts the handcuffs on his own wrists, a symbolic gesture representing their entrapment and their status as social castaways, the couple engages in a conversation about their plans for the future. They imagine escaping their current circumstances and living a life filled with love and happiness. Angela reveals her secret desire to be a mother, while Viril reveals his strategies to find a task and buy a house for them, regardless of understanding the difficulties their psychological conditions may posture.

The couple's conversation is inserted by a series of surreal and poetic imagery, consisting of an enigmatic green ball that appears to signify the purity of their love and the potential for their dreams to come real. The ball transports them into an alternate truth, where they take pleasure in moments of freedom from the restraints of their lives in the organization.

Meanwhile, the mysterious human figure comes back throughout the movie, advising the couple of their inevitable entrapment within society's stiff standards and expectations. The figure represents the oppressive force of social standards that the couple constantly faces in their dreams and desires.

As the film progresses, Angela and Viril's dreams end up being a progressively crucial sanctuary from the severe truth of the institution. The couple daydreams about their escape, their lives together, and above all, the fulfillment of their dreams of love and joy.

Meaning and Themes
At its core, "Angela & Viril" is a poignant representation of the universal longing for love and liberty that transcends the restraints of mental disorder. The movie critiques society's perceptions of and treatment towards people with mental disorders, highlighting the dehumanizing confinement and isolation this group experiences.

The handcuffs function as a powerful sign of the physical and emotional restraints placed upon Angela and Viril, emphasizing the couple's shared desire to break free from their enforced prison. In contrast, the green ball represents hope and possibility, along with the transformative power of love, which can go beyond even the most relatively insurmountable obstacles.

Conclusion
"Angela & Viril" is an intriguing and emotionally resonant film that invites audiences to reassess their perceptions of mental disorder and question the overbearing power dynamics within society that even more marginalize and separate these people. Through its haunting visuals, poetic importance, and evocative themes, the movie poignantly shows the universal human desire for love, freedom, and a sense of belonging. Ultimately, "Angela & Viril" works as an effective reminder that love can accomplishment over misfortune which the human spirit can get rid of even the most difficult of circumstances.

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