Calling the Shots (1988)

Calling the Shots Poster

Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.

Film Introduction
Launched in 1988, "Calling the Shots" is a gripping Australian movie directed by Donald Crombie and co-written by Denis Whitburn and Tony Morphett. The film is notable for its fascinating mix of mystery, drama, and awesome criminal offense elements that explore the intricacies of media principles, police, and manipulation.

Plot Summary
The main plot of the movie centers on Maggie Stewart (played by Judy Morris), an experienced investigative news press reporter for a major tv network. Understood for her prowess in news protection, Maggie is assigned to cover an organized crime slaying, however soon discovers herself entangled in a web of dark intrigue and crime. As the story unfolds, she starts to untangle the threads connecting a popular business owner Jack Bradman (played by David Bradshaw) to illicit activities within the criminal offense world.

Hailed as a front-runner in the construction industry, Jack's reputable image is merely an exterior for his flourishing unlawful endeavors. When Maggie exposes Jack's dubious activities, she inevitably puts herself in danger. Ignoring the risk, she digs deeper, figured out to take apart the criminal empire.

Character Development
Maggie Stewart is represented as a tenacious and assertive lead character, who is not scared to challenge the looming danger. She is characterized by her strong sense of justice and drive to reveal the fact, regardless of the dangerous consequences. Jack Bradman, on the other hand, embodies the cunning antagonist who leverages power and impact to conceal behind a cape of respectability.

Themes and Motifs
"Calling the Shots" unflinchingly looks into its primary styles of journalism principles, corruption, and the crossway of criminal offense and power. As the plot unfolds, the audience is challenged to assess the role of media, its power to influence the understandings of society, and the possibly unsafe consequences of the pursuit of truth.

Production and Reception
Shot mostly in Sydney, the film catches the vibrant life of the city and uses it as a backdrop to create a high-octane suspense narrative. The production worths are first-class, with striking performances by the well-chosen cast improving the general story.

Upon its release, the movie was met mixed reviews. Critics applauded the efficiencies of Judy Morris and David Bradshaw, in addition to the film's interesting plot that linked crime, suspense, and drama. Nevertheless, some critiques were raised about the movie's pacing and periodic lapses into predictability. In spite of the blended evaluations, "Calling the Shots" was widely considered a notable addition to Australian cinema, appreciated for exposing the obstacles faced by investigative journalists in chasing hard-hitting stories.

Conclusion
"Calling the Shots" is a compelling drama that offers audiences a close look at the gritty world of investigative journalism and organized crime. While the film stirs suspense and excitement, it also raises important questions about media ethics, individual security, and the cost of fact. Heady with intrigue, it continues to hold its importance as a critique of power structures, corruption, and the function of media in society.

Top Cast

  • Karen Arthur
    Self
  • Lizzie Borden (small)
    Lizzie Borden
    Self
  • Barbara Boyle
    Self
  • Joyce Chopra (small)
    Joyce Chopra
    Self
  • Martha Coolidge (small)
    Martha Coolidge
    Self
  • Donna Deitch (small)
    Donna Deitch
    Self
  • Jill Godmilow (small)
    Jill Godmilow
    Self
  • Randa Haines (small)
    Randa Haines
    Self
  • Amy Holden Jones (small)
    Amy Holden Jones
    Self
  • Ann Hui (small)
    Ann Hui
    Self
  • Margot Kidder (small)
    Margot Kidder
    Self