I Start Counting (1970)

Introduction
"I Start Counting" is a gripping 1970 British thriller directed by David Greene. The storyline, influenced by the novel of the very same name by Audrey Erskine Lindop, unfolds as a mix of adolescent awakening, mental thriller, and unconventional romance. The film includes a standout performance from Jenny Agutter, who plays the young lead character straddled in between her innocent attachment and dark suspicion of a loved one.

Facility
Jenny Agutter plays Wynne, a 14-year-old schoolgirl with an innocent crush on her adoptive older brother, George (played by Bryan Marshall). In addition to typical teenage pangs of love, there's a dark undertone as Wynne suspects George might be the callous murderer associated with a recent string of local killings. Torn in between her adoration and worry, Wynne gets drawn into a fully grown narrative filled with suspense, discovery, and problems, travelling through the film's powerful theme of emerging the adult years, sexuality, and morality.

Plot and Performances
The plot thickens as Wynne begins spying on George, tracking his every relocation. One night, she follows him to a deserted building and, frightened but driven by curiosity, finds proof that George could undoubtedly be the serial killer. Agutter convincingly embodies the psychological dispute, confusion, and anxiety of her character, and Marshall delivers a similarly complex performance.

The plot reaches an extreme peak as Wynne's fully grown good friend Corinne (played by Clare Sutcliffe) goes missing. This event forces Wynne to challenge her fears and suspicions. She develops the guts to report George to the authorities, leading to a tense end reveal when the genuine killer's identity is uncovered.

Setting and Stylistics
The film is embeded in Bracknell and captures the feel of a 1960s British suburb handling harsh killings. The effective usage of the setting contributes significantly to the looming sense of dread and thriller in the movie. David Greene successfully takes advantage of this ambiance, delivering a combination of spooky realism and thought-provoking psychological intrigue through the stylistic depiction of Wynne's world and her web of emotions.

Conclusion
"I Start Counting" isn't just a psychological thriller; it explores the intricacies of teenage years-- the fear, the interest, the budding sexuality, and the ethical problems. The beautiful mix of the secret subplot with the exploration of Wynne's intricate sensations towards George makes this movie an unique and engaging watch. With its blend of thriller and human beliefs, "I Start Counting" leaves a lasting impression on its audience, making it one of the intriguing cinematic pieces of the period.

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