Joan of Arc at the Stake (1954)

Joan of Arc at the Stake Poster
Original Title: Giovanna d'Arco al rogo

Joan of Arc is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.

Film Overview
"Joan of Arc at the Stake" is a 1954 Italian-French movie directed by Roberto Rossellini starring Ingrid Bergman in the lead function. The film, based upon an oratorio by Arthur Honegger and Paul Claudel, dramatizes the trial, adversities, and execution of Joan of Arc, a critical figure in French history. The film, not totally direct, toggles between Joan's court trial and her hallucinations, offering insights into her character and spiritual belief.

Plot Summary
In "Joan of Arc at the Stake", Joan is depicted as a girl of simple origins who presumably took guidelines from saints, led the French army to several significant military triumphes during the Hundred Years' War, and was consequently recorded and offered to the English. The movie avoids her military exploits and concentrates on her trial for heresy and subsequent execution.

Joan's Trial
Joan goes through a trial by an ecclesiastical court comprising French clergymen supportive to the English cause after her capture. The panel interrogates her about her religions, visions, and the basis of her claims to management. Joan faces her inquisitors with peace, willpower, and unfaltering faith, keeping her assertion of being assisted by magnificent visions. Her interrogators can not break her spirit, and she refuses to renounce her claims no matter the repercussions.

Joan's Hallucinations
The movie then continues in and out of reality, as Joan begins to hallucinate. These hallucinations feature a circus, where a series of historical and allegorical characters, such as animals and clowns that represent various components of Joan's life and time, carry out for an audience. The figures occasionally engage with Joan, leading her to relive certain memories and examine her life's decisions. These scenes are filled with symbolic references, blurring the lines in between the surreal and factual, which gives audiences a thorough understanding of Joan.

Execution and Conclusion
Turning down all pleas to recant her testament about her divine visions and objective, Joan persuades her district attorneys that she is heretic, culminating in a sentence to be burned at the stake. Joan faces her death courageously and even at her execution, Joan preserves her faith and dedication to God. The film ends on a somber note with Joan's execution, but her bravery and steadfast faith make her a symbol of French resistance and cause her posthumous rehabilitation and canonization.

Film Performance and Reception
Ingrid Bergman's portrayal of Joan was admired for her brilliant acting, recording the essence of Joan's spiritual conviction and bravery. Rossellini's direction was applauded for its effective execution of the unconventional nonlinear narrative structure and use of meaning. Regardless of some criticism for historic errors, the movie was usually favorably gotten for its informative analysis of Joan's character, faith, and resilience during her trial. In general, "Joan of Arc at the Stake" provides an intensely human and understanding representation of one of history's most renowned figures.

Top Cast

  • Ingrid Bergman (small)
    Ingrid Bergman
    Joan of Arc
  • Tullio Carminati (small)
    Tullio Carminati
    Fra Domenico
  • Giacinto Prandelli
    Procus
  • Augusto Romani
    gigante Heuterbise
  • Agnese Dubbini
    Madama Botti
  • Anna Tarallo
  • Silvio Santanelli
  • Mario Prandelli
  • Marcella Pobbe
  • Luigi Paolillo
  • Gerardo Gaudioso
    Inviato della giustizia