On the Waterfront (1954)

On the Waterfront Poster

Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.

Introduction
"On the Waterfront" is an American crime drama movie from 1954 directed by Elia Kazan, adjusted by Budd Schulberg, and stars Marlon Brando. The film is embeded in the gritty world of the New York Harbor waterside and involves union violence and corruption among longshoremen. "On the Waterfront" is extensively considered as one of the best American motion pictures, and it went on to win 8 Academy Awards, consisting of Best Picture, Best Actor for Brando, and Best Director for Kazan.

Plot
The film follows the story of Terry Malloy (Marlon Brando), a previous prizefighter-turned-longshoreman who becomes entangled in the corrupt world of waterfront union politics. Terry's older sibling, Charley (Rod Steiger), is the attorney to corrupt union employer Johnny Friendly (Lee J. Cobb), who implements his rule on the docks through violence and intimidation. When Terry unintentionally tempts a fellow dockworker to his death at the hands of Friendly's criminals, he begins to question his loyalties.

Conflict and Resolution
Terry's inner turmoil intensifies when he falls in love with Edie (Eva Marie Saint), the sister of the murdered dockworker. Edie, a passionately ethical and undaunted woman, influences Terry to affirm versus Friendly's racket in front of a crime commission. Regardless of knowing the threats of potentially screwing over his own brother and facing retribution from Friendly, Terry ends up being figured out to expose the corruption and end the reign of the union boss. This causes the climactic confrontation in between Terry and Friendly in the movie's last scenes.

Themes
"On the Waterfront" presents a review of corruption and an indictment of society's complacency in resolving it. The movie, however, generally highlights the style of redemption and assertive conscience versus the odds. Terry's journey from complicity in a corrupt system to moral awakening showcases the power of individual transformation and taking a stand against injustice.

Performances and Directors
The efficiencies in "On the Waterfront" are extensively recognized as some of the finest in movie history, especially Brando's, which is kept in mind for its naturalistic design embodying the method acting method. His representation of Terry's struggle with conscience verified Brando's reputation as one of the best actors of his time. The supporting cast functions noteworthy efficiencies from Karl Malden as the caring Father Barry and J. Cobb as the ruthless Friendly.

Elia Kazan's smart direction and Schulberg's gritty and reasonable screenplay make "On the Waterfront" an engaging mix of social realism and melodrama.

Conclusion
"On the Waterfront" is a landmark movie in American movie theater, integrating effective efficiencies, progressive storytelling, and social criticism. It functions as a meditation on regret, duty and corruption, while also providing a searing expedition of private morality. The film's long lasting effect is evident in its continued significance and recognition as a timeless piece of cinematic art.

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