Petites notes à propos du film 'Je vous salue, Marie' (1983)

Petites notes à propos du film 'Je vous salue, Marie' Poster

Notes on the inception and making of Hail Mary.

Introduction
"Petites notes à propos du film 'Je vous salue, Marie'" (in English, "Small notes on the movie 'Hail Mary'") is a 1983 film directed by acclaimed French-Swiss filmmaker Jean-Luc Godard. It accompanied Godard's controversial movie "Je vous salue, Marie" (Hail Mary) as an additional short film.

Material
The film works as a commentary on "Hail Mary" and checks out Godard's inspirations and objectives for directing "Hail Mary". This movie does not follow a conventional narrative structure; rather, it is a collection of relatively random shots and footage from "Hail Mary", premieres, interviews, and behind-the-scenes materials, linked with Godard's thoughts and reflections on not just the film however cinema and faith also.

Reflection on Filmmaking
Throughout "Petites notes à propos du movie 'Je vous salue, Marie'", Godard, understood for his philosophical expedition of film, deconstructs standard filmmaking. He challenges audiences to examine the process and function of filmmaking, and more significantly, the meaning and interpretation of cinema. The film likewise contains segments where Godard narrates over clips from "Hail Mary", in some cases slamming his movie's scenes, and utilizing this self-reflection to assist in deeper discussion about the nature of films and their interpretations.

Expedition of Religion
The film delves into Godard's analyses of spiritual themes, especially those present in "Hail Mary", which reimagines the story of the Virgin Mary in a modern setting and was deemed questionable upon its release. Through this, Godard attempts to reconcile modernity and faith, questioning the role of faith in the modern world, and checking out the possibility of reinterpreting ancient religious narratives within a contemporary context.

Reception
"Petites notes à propos du film 'Je vous salue, Marie'" was typically well received by critics, who appreciated the depth and profundity of Godard's commentary on filmmaking, religion, and especially his self-reflection. However, similar to "Hail Mary", it polarized audiences and elicited combined reactions due to its unorthodox method to such sensitive subjects.

Conclusion
"Petites notes à propos du movie 'Je vous salue, Marie'" provides an uncommon insight into the mind of a groundbreaking director, enabling audiences to engage with Godard's imaginative procedure and unique filmmaking philosophy holistically. Despite its fragmented and unconventional structure, the film deepens the understanding of "Hail Mary" and continues to matter in conversations about the intersection of cinema and religion.

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