Riot at the Rite (2005)

Riot at the Rite Poster

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

Introduction and Overview
"Riot at the Rite" is a television film released in 2005, composed by Ian Curteis and directed by Andy Wilson. BBC produced the film, which is a dramatization of the real occasions leading up to among the most well-known bests in the music world - the sneak preview of Igor Stravinsky's ballet 'The Rite of Spring' in 1913 which provoked a riotous reaction from its audience.

Plot
The movie represents the close relationship between Igor Stravinsky, brilliantly played by Adam Garcia, and the impresario Sergei Diaghilev, played by Aidan McArdle. Stravinsky, a young and promising composer in Paris, deals with the independent and frequently demanding Diaghilev, who commissions him to produce a new ballet for his Ballets Russes company with a sort of demand - to create a piece that would redefine ballet.

Character Development
"Riot at the Rite" traces Stravinsky's journey, from his initial doubts about his ability to produce such a work to his ultimate success. It delves into the innovative and emotional chaos and tensions he withstands, as he first clashes with Vaslav Nijinsky, played by Alex Jennings, the choreographer of the production, who struggles to articulate the radical actions and movements to the ballet dancers to match the drastically difficult composition.

Portraying Moments of Contentions
The movie likewise splendidly catches the wedding rehearsals and the panic-filled moments resulting in the premiere and the terror that engulfs Stravinsky when he listens to the wedding rehearsal and recognizes the unorthodox nature of his composition. Other troubles emerge when a senior ballerina declines to take part because of the plain modernity and scandalous motions of the ballet, and when the impossibility of representing the idea and conception of the ballet creatively and visually, emerges.

The Premieres and Audience Reaction
All these build up to a dramatic final scene where the ballet with its unheard music, unconventional choreography, including primal marking rhythms, and intriguing subject-matter, is carried out. The scene when the orchestra starts playing, dancers step on phase, and the first notes resonate is perfectly shot and artistically momentous. The annoyed reaction by the Parisian audience, the boos, hisses, and shouts, the physical fights breaking out in the audience, causing a near-riot are portrayed clearly.

Consequences of The Rite of Spring
The negative and outrageous reaction to The Rite of Spring ravages Stravinsky at first. Nevertheless, he understands its significance and its possible to be a revolutionary piece worldwide of music. The ballet ends up being a work of art in the history of music, despite its rocky, outrageous, and riot-inciting premiere, which is a fascinating revelation that the film show its audience.

Conclusion
"Riot at the Rite" is a well-crafted film with good performances, concentrating on the characters' psychological journeys, their artistic struggles, and the characteristics of their relationships, which are as crucial as the notorious incident itself. It is also a film about the bold and audacious evolution of art and an assertion and event of the power and capacity of the new and the unconventional.

Top Cast

  • Adam Garcia (small)
    Adam Garcia
    Vaslav Nijinsky
  • Alex Jennings (small)
    Alex Jennings
    Sergei Diaghilev
  • Emma Pierson (small)
    Emma Pierson
    Romola
  • Griff Rhys Jones (small)
    Griff Rhys Jones
    Astruc
  • Jonathan Aris (small)
    Jonathan Aris
    Jean Cocteau
  • Christian McKay (small)
    Christian McKay
    Pierre Monteux
  • Richard Hope (small)
    Richard Hope
    Grigoriev
  • Philip Herbert
    Antoine
  • André Schneider (small)
    André Schneider
    Ivory
  • Naomi Wattis
    Lydia
  • Peter Copley (small)
    Peter Copley
    Patron