Savage Messiah (1972)

Savage Messiah Poster

The film fictionalizes the real relationship between French sculptor Henri Gaudier and Polish writer Sophie Brzeska, twenty years his senior, who came to Paris, she says, for its “creative atmosphere.”

Overview and Introduction
"Savage Messiah" is a 1972 British film directed by the veteran Ken Russell. The movie focuses on the life of the French artist, Henri Gaudier-Brzeska, among the pioneers in the field of modern-day sculpture. The film, which is mostly based upon H.S. Ede's biographical account on Gaudier, provides an insight into the life, work, and personal relationships of the sculptor, particularly, his romantic relationship with Polish writer Sophie Brzeska, who was practically 20 years senior to him.

Plot and Characters
The movie introduces us to the ambitious young carver, Henri Gaudier (depicted by Scott Antony), living in the early 20th century London. He launches an intense, unusual, and rather platonic relationship with Sophie Brzeska (Dorothy Tutin), a Polish émigré. Henri respects Sophie's knowledge and intelligence, and absorbs her wisdom into his art work, even adopting her surname.

Throughout the movie, Gaudier resist poverty, public apathy towards his work, and harsh criticism. In spite of that, he stays real to his vision, disregarding the prevailing artistic standards of his time, to work on his own unique, abstract style. His work is frequently revealed as a sign of pureness in the middle of the corruption of the society, highlighted through vibrant scenes juxtaposing his art against the luxury of London's high-society hedge-fund parties.

Social Aspect and Relationships
"Savage Messiah" paints a brilliant picture of the social and political discussions of the time, checking out themes like feminism, class, and the disintegration of traditional values. The dynamics in between Gaudier and Sophie is informing, represented as deeply emotional, intellectual, but largely non-physical, underscoring an unconventional bond.

Russell masterfully illustrates the character of Sophie, showing her severe intellectual edge and her emotional vulnerability. Henri's complex relationship with Sophie's psychological health is a repeating style - while he frequently becomes disappointed, he is also deeply thoughtful, recommending a profound connection between the 2.

Cinematic Appeal and Artistic Representation
The movie stands out for its spectacular cinematography and Russell's deft direction, juxtaposing Gaudier's works against the backdrop of both beautiful landscapes and the ruthless truths of the duration - the First World War. It creates a surreal result, transfixing audiences whilst resonating with Gaudier's defiance against materialism and societal standards.

Crucial Reception and Conclusion
"Savage Messiah" provides a strong story surrounding an artist's struggle, his non-traditional love story and his enthusiasm for modern sculpture. It was well-received for its expressive storytelling and fantastic performing. However, the movie has been slammed by some for its obvious emphasis on visuals over character advancement. Regardless of this, Russell's bold instructions and the empathetic portrayal of Gaudier-Brzeska's audacious spirit make "Savage Messiah" a compelling period-piece on art, love, and defiance. Consequently, it is considered a stimulating contribution to the genre on artists' biopics.

Top Cast

  • Dorothy Tutin (small)
    Dorothy Tutin
    Sophie Brzeska
  • Scott Antony (small)
    Scott Antony
    Henri Gaudier
  • Helen Mirren (small)
    Helen Mirren
    Gosh Boyle
  • Lindsay Kemp (small)
    Lindsay Kemp
    Angus Corky
  • Michael Gough (small)
    Michael Gough
    M. Gaudier
  • John Justin (small)
    John Justin
    Lionel Shaw
  • Aubrey Richards (small)
    Aubrey Richards
    Mayor
  • Peter Vaughan (small)
    Peter Vaughan
    Museum Attendant
  • Ben Aris
    Thomas Buff
  • Eleanor Fazan (small)
    Eleanor Fazan
    Mdme. Gaudier
  • Otto Diamant
    Mr. Saltzman