The Drowning Pool (1975)

The Drowning Pool Poster

Harper is brought to Louisiana to investigate an attempted blackmail scheme. He soon finds out that it involves an old flame of his and her daughter. He eventually finds himself caught in a power struggle between the matriarch of the family and a greedy oil baron, who wants their property. Poor Harper! Things are not as straight-forward as they initially appeared.

Introduction
"The Drowning Pool" is a 1975 American neo-noir thriller directed by Stuart Rosenberg, starring Paul Newman, Joanne Woodward, and Anthony Franciosa. It is the second film in which Newman represents private investigator Lew Harper (the very first being "Harper" from 1966). The film is based on the 1950 book of the same name by Ross Macdonald, featuring a screenplay by Tracy Keenan Wynn, Lorenzo Semple Jr., and Walter Hill. "The Drowning Pool" takes viewers through an intricate web of deceit, blackmail, and murder, all set versus the sultry backdrop of the Louisiana bayou.

Plot Summary
"The Drowning Pool" follows Lew Harper's journey from his base in Los Angeles to the Louisiana home town of his previous flame, Iris Devereaux, elegantly played by Woodward. Iris, wedged in a collapsing marital relationship with a wealthy but unfaithful other half, summons Harper to examine a blackmail scheme that threatens to decipher the skeletons in her family closet.

As Harper digs deeper into the case, he reveals a labyrinthine plot involving several players with their own programs. The Devereaux household house maid, a crucial character, understands too much about the family's dark secrets, making her a target in the menacing video game. The housemaid is discovered dead in a way that speaks with the film's title, suggesting a staged suicide by drowning in a pool.

Among the variety of characters Harper faces is J.J. Kilbourne, a shrewd oil tycoon looking to capitalize on the Devereaux household's bad luck. His impact and power as the regional mogul make him a powerful opponent in Harper's mission for the reality. Adding to the chaos is Harper's discovery of a criminal plot including the Devereaux's teenage child, Schuyler, who plays a hesitant part in her mom's predicaments.

Harper discovers himself entangled not just professionally however personally, as unsolved feelings with Iris complicate his investigation. Their interaction includes a dimension of love and tension to the otherwise dark story.

Key Themes and Elements
The film explores themes of corruption, familial discord, and the malleability of morality. The characters' options often blur the line between best and incorrect, with their actions motivated by greed, love, or desperation. The setting of the Louisiana bayou works as a character in its own right, with its steamy secret complementing the murky ethical landscape.

Stylistically, "The Drowning Pool" exhibits the trademarks of the noir category, from its complicated plot twists to its grim visual and morally uncertain characters. Newman's portrayal of Harper brings a gritty, world-weary beauty to the investigator archetype, while Woodward's efficiency provides a depth to the troubled, yet dignified Iris.

Crucial Reception
Upon release, "The Drowning Pool" received blended evaluations, some applauding its performances and climatic direction, others noting it as less engaging compared to the more applauded "Harper". Nevertheless, over the years, the film has delighted in a degree of reappraisal. Enthusiasts of noir point to its loyal adherence to the category's tropes and its effective evocation of a Southern Gothic ambiance.

Tradition
"The Drowning Pool", while maybe not achieving the exact same level of praise as its predecessor, remains a reputable installment in the Lew Harper series. Paul Newman's embodiment of the private detective has actually left an enduring image in American cinema, contributing to the abundant tapestry of detective stories that continue to catch the imagination of audiences today. The movie's depiction of the Southerly setting, nuanced performances, and brooding stress adds to its standing as a noteworthy piece of 1970s cinema.

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