The Heart of an Outlaw (1909)

A man gets revenge on his cheating wife by killing her and her lover. He thinks he has killed his daughter as well, but she survives and is adopted by the sheriff. A few years later the man, now an outlaw, ambushes the sheriff and plans to kidnap and murder the sheriff's daughter.

Introduction to "The Heart of an Outlaw"
"The Heart of an Outlaw" is a silent short film from the early age of cinema, released in 1909. Directed by D.W. Griffith, the movie was an item of Biograph Business, among the leading film production companies of the time. Although the film itself is over a century old and not readily offered in its total form today, its significance lies in its contribution to the western category and its ingenious usage of story and filmmaking techniques under Griffith's instructions.

Plot and Setting
"The Heart of an Outlaw" weaves a narrative set in the American West. It looks into themes of redemption and moral improvement, focusing around the character of a hooligan who is infamous for his life of criminal offense. The story unfolds against the background of rugged landscapes and the ultimate western town normal of the era, supplying an authentic ambiance that transports the audience to the world of gunslingers and sheriffs.

Main Characters and Performances
The movie stars Arthur V. Johnson in the lead role as the criminal. His portrayal of the character is stated to have actually been deeply moving, recording the internal struggle and supreme redemption arc with the minimal tools that quiet movie theater needed to use. Other notable cast members consist of Marion Leonard, who plays the love interest, and Harry Solter, taking on the function of the sheriff. The actors had to rely greatly on exaggerated gestures and facial expressions, as was customary at the time, to communicate their feelings and motivations. The efficiencies were popular and contributed significantly to the film's success.

Secret Scenes and Cinematography
Griffith, understood for his innovative methods to movie methods, employed a variety of shots and editing techniques that were advanced for 1909. The film features a number of essential scenes that were applauded for their artistic composition and remarkable impact. This consists of shots of the huge western plains, horseback chases after, and extreme face-offs that would go on to become staples of the western category. The director's usage of close-ups to heighten emotion and cross-cutting to construct thriller was advanced for its time and had a lasting impact on filmmaking.

Themes and Messages
A central theme of "The Heart of an Outlaw" is the capability for individual modification and redemption, highlighted through the transformation of the titular criminal. The character's journey from a feared criminal to a man capable of love and self-sacrifice speaks with the moral undertones that Griffith often checked out in his films. It discuss the idea that everybody, even someone outside the law, has the capacity for goodness within them.

Historic Significance and Legacy
While "The Heart of an Outlaw" might not be as accessible or commonly gone over as Griffith's later works, such as "The Birth of a Nation" or "Intolerance", it is still an important piece of early movie theater history. As a precursor to the countless westerns that followed, the movie helped shape the genre's conventions and character archetypes. Griffith's filmmaking strategies would go on to influence generations of directors, strengthening his reputation as one of movie theater's early visionaries.

Conclusion
"The Heart of an Outlaw" stands as a testament to the storytelling power of silent movie and the enduring appeal of the western category. Though it might not be as commemorated as other movies from the era, its significance to the advancement of cinematic language and narrative structure can not be overemphasized. As one of the threads in the tapestry of Griffith's renowned profession, it continues to be a point of reference for movie historians and lovers alike, marking a significant minute in the advancement of the silver screen.

Top Cast

  • James Kirkwood (small)
    James Kirkwood
    The Husband, an Outlaw
  • Marion Leonard (small)
    Marion Leonard
    The Outlaw's Wife
  • Gladys Egan
    The Outlaw's Daughter, as a Child
  • Mary Pickford (small)
    Mary Pickford
    The Outlaw's Daughter, as an Adult
  • Henry B. Walthall (small)
    Henry B. Walthall
    The Mexican Lover
  • Arthur V. Johnson (small)
    Arthur V. Johnson
    J. Woodford, Marshall/Gardian