Touch (1997)

Touch Poster

Down-and-out former preacher Bill Hill witnesses stranger Juvenal save a woman from her abusive husband by defusing the latter's anger — and ending his wife's blindness. Determined to profit from Juvenal's mystical powers, Bill asks an old friend, Lynn Faulkner, to sneak into the Alcoholics Anonymous facility where Juvenal works as a counselor, but she finds herself falling for the healer.

Introduction of "Touch"
"Touch" is a quirky, unusual dramedy directed by Paul Schrader, based upon the acclaimed novel by Elmore Leonard. The movie was launched in 1997 and explores styles of faith, redemption, and the exploitative nature of modern media. It stars an ensemble cast, including Christopher Walken, Bridget Fonda, Skeet Ulrich, and Tom Arnold.

Plot Summary
The film's central character is Juvenal, played by Skeet Ulrich, a former Franciscan monk with a special and mystical capability to recover individuals with a simple touch. His magnificent healing powers consist of curing blindness, severe rashes, and even crucial injuries, which sets the stage for a story that evaluates the limits between faith and commercialism.

In "Touch", Juvenal works at a rehabilitation center in Los Angeles, where he quietly utilizes his healing power to assist others. His presents bring in attention when he heals a blind woman, and her impassioned testimony triggers the interest of various parties, including a previous evangelist called Bill Hill, played by Christopher Walken.

Lynn Faulkner, depicted by Bridget Fonda, is a hired hand by Bill Hill to comfortable up to Juvenal to exploit his capabilities for profit. She at first approaches him under the guise of carrying out an interview due to her quasi-journalistic background. Nevertheless, Lynn finds herself drawn to Juvenal's authentic and tranquil nature, and a romantic relationship begins to blossom between them.

The couple's union brings Lynn into a moral dispute as she starts to question her job due to her growing feelings. As Lynn becomes conflicted about the motives behind her work, she ponders whether to secure Juvenal or help in exploiting him.

Meanwhile, Bill Hill works together with a fame-hungry spiritual magnate, evangelist August Murray, acted by Tom Arnold, who sees Juvenal as a possible cash cow. They conspire to turn Juvenal's healing touch into a business spectacle, overlooking the spiritual and personal repercussions to Juvenal himself. As these self-serving people try to take advantage of Juvenal's amazing gift, the film looks into satirical commentary on the intertwining of faith and commercialism.

Character Dynamics
Juvenal's naivety and unwillingness to get publicity are at odds with Bill Hill and August Murray's desire to exploit his recovery gifts. His internal battle with his abilities and his need for normalcy are main to the film. Lynn, while initially representing the doubtful ethics of celebrity culture, ends up being the story's ethical compass as she chooses to protect Juvenal from the predatory people aiming to exploit him.

Styles and Critiques
"Touch" navigates through multifaceted themes, consisting of religiosity and the extensive effect it can have on people desperate for miracles. It highlights the all-too-human propensity to monetize what is spiritual, supplying biting criticism of how religious beliefs can be twisted by opportunistic charlatans.

The movie also provides a character research study of individuals at the crossroads of individual gain and ethics. The group's varying motives and their interactions with Juvenal display how people can be torn in between selfish pursuits and the better angels of their nature.

Reception and Impact
Upon release, "Touch" garnered combined evaluations and performed decently at the box office. It was praised for its distinct blend of humor, drama, and commentary, but some slammed the movie for not totally checking out the depth of its source product. Regardless, "Touch" stays a cinematic work that incisively challenges viewers to consider the delicate balance between faith and exploitation.

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