Album: Aretha's Jazz

Introduction
"Aretha's Jazz" is a collection album by the legendary vocalist and pianist Aretha Franklin, released in 1984. The album highlights Franklin's talent as a jazz singer and includes a mix of tracks from her albums "Yeah!!!" (1965), "Soul 65", her cooperation with Quincy Jones on "Her Great Comeback" (1980), and some unreleased tracks. The album showcases Franklin's distinct and soulful take on jazz standards, showing her ability at analyzing and reviving these timeless tunes, which include both vocal and piano efficiency.

Tracklist and Overview
The album includes twelve tracks, each a gem in its own right. It opens with "Moody's Mood", written by Eddie Jefferson and motivated by jazz saxophonist James Moody. Franklin's rendition of this timeless bebop tune is marked by her signature soulful touch and her ability to swing effortlessly and with excellent feeling.

"Skylark" is another emphasize of the album, a beautiful ballad written by Hoagy Carmichael and Johnny Mercer. Franklin's special, melodic analysis showcases her extraordinary singing variety, blending components of both jazz and appear her performance.

The album likewise includes "Misty", a popular jazz standard by Erroll Garner and Johnny Burke. This smooth ballad features Franklin's powerful piano playing, backed by a lavish string arrangement, showing her skill as a jazz artist along with a singer.

"Wholly Earth" is an initial structure by Lauryn Hill, which she added to Franklin's album "A Rose is Still a Rose" (1998). On "Aretha's Jazz", the song dives even more into the world of jazz and soul, showcasing Franklin's ability to transform a modern piece of music with her special talents.

Cooperations and Unreleased Tracks
The album also features 2 tracks produced by Quincy Jones: "Moody's Mood" and "Wee Baby Blues", a Joe Turner standard on which Franklin teams up with pianist and singer Ray Charles. Their voices blend effortlessly and produce magic in this sluggish, smoky duet, exemplifying their undeniable chemistry.

Amongst the unreleased tracks is "Until You Come Back To Me (That's What I'm Gon na Do)", which was later on released on her 1985 album "Who's Zoomin' Who". The variation consisted of on "Aretha's Jazz" has a more easygoing, jazzy feel, providing a fresh and intriguing take on this classic.

Reception and Legacy
"Aretha's Jazz" was well received by critics and fans alike for showcasing a various side of Franklin's collection and skills. Jazz lovers valued her capability to bring the category to life with her effective voice and genuine representations of the songs.

The album is likewise a testament to Franklin's adaptability as an artist, skillfully blending jazz, soul, pop, and gospel components into a cohesive and enjoyable listening experience. Although Franklin is commonly described as the 'Queen of Soul', "Aretha's Jazz" proves that she was similarly deserving of the title 'Queen of Jazz' by gracefully going beyond genre constraints and easily adjusting her design to fit a range of musical settings.

To this day, "Aretha's Jazz" continues to hold an unique location in the heart of her fans, acting as a reminder of her enormous influence on the world of music. It works as a testament to the depth of her skills, proving that she was not just an extraordinary vocalist but also a gifted artist, and a true legend in every sense of the word.