Album: Beverly Sills Sings Mozart & Strauss

Introduction
"Beverly Sills Sings Mozart & Strauss" is a 1971 album that showcases the unbelievable skill of American operatic soprano Beverly Sills. The album features a collection of songs from the works of 2 popular authors, Wolfgang Amadeus Mozart and Richard Strauss. Sills breathes life into the music of these excellent composers, offering both power and feeling in her renditions of their most famous arias. This album remains a testament to Sills' skills as a singer and her ability to interpret the complex feelings implicit in the music.

Album Overview
The album comprises eight tracks, with four from Mozart's operas and 4 from Strauss' structures. Sills is accompanied by the London Symphony Orchestra, conducted by André Kostelanetz. This cooperation between Sills, Kostelanetz, and the London Symphony Orchestra offers a best union of virtuoso performances. The orchestra complements Sills' vocals in a manner that boosts the emotion and depth of each piece.

Mozart Selections
The Mozart choices on the album include "Ach, ich fühl's" from The Magic Flute, "Porgi amor" from The Marriage of Figaro, "Bester Jüngling" from Der Schauspieldirektor, and "Martern aller Arten" from The Abduction from the Seraglio. In each of these efficiencies, Sills demonstrates her ability to capture the intricacies of Mozart's music, balancing the demands of singing technique and psychological expression.

In "Ach, ich fühl's", Sills evokes the feelings of heartbreak and anguish as she sings of a love lost. Her performance of "Porgi amor" showcases her outstanding vocal variety and control, as well as her ability to convey the character's emotions. In "Bester Jüngling", Sills brings a comedic touch to her interpretation, a tip of her theatrical background and a nod to Mozart's lighter side. Lastly, in "Martern aller Arten", Sills delivers an effective performance that showcases her amazing stamina, range, and vocal dexterity.

Strauss Selections
The Strauss choices on the album include "Morgen!", "Ständchen", "Cäcilie", and the well-known "Rosenkavalier" aria, "Ist ein Traum, kann nicht wirklich sein". Sills showcases her versatility by transitioning from Mozart's operatic arias to Strauss' emotional lieder.

In "Morgen!", Sills' rendition is filled with longing and hope, magnificently analyzing the feelings behind the music. "Ständchen" is more spirited, with Sills displaying her ability to master detailed singing lines while still keeping a sense of lightness. "Cäcilie" includes Sills at her enthusiastic best, as she provides the effective feelings of love and desire inherent in the piece. Finally, the "Rosenkavalier" aria is an interesting mix of gentleness and strength, with Sills deftly browsing both the feelings and vocal demands of Richard Strauss' structure.

Legacy and Reception
"Beverly Sills Sings Mozart & Strauss" is a testament to the extraordinary skill of this distinguished American soprano. The album has been favored by both critics and audiences, who have actually applauded Sills for her capability to skillfully navigate the complexities of both Mozart and Strauss' compositions. Lots of regard this album as a necessary recording for any fan of symphonic music or of Sills' extraordinary profession. It continues to impress listeners with its portrayal of the emotive and technical prowess of Beverly Sills, over 4 years after its initial release.