Album: Bridgework

Introduction
"Bridgework" is a jazz album released in 1986 by American drummer and jazz legend Billy Higgins. The album features eight tracks with a runtime of about 45 minutes. Higgins is signed up with by an outstanding line-up of artists, consisting of Cedar Walton on piano, Tony Dumas on bass, and Bob Berg on saxophone. The album showcases a mix of modern-day and difficult bop jazz designs, with strong impacts from both Higgins' own rich musical background and the various artists he worked together with.

Background and Collaborators
Billy Higgins is known for his work with famous jazz musicians such as Ornette Coleman, Thelonious Monk, Lee Morgan, and Dexter Gordon. Over his long career, he has actually developed a flawless sense of timing, swing, and tune, which has actually made him one of the most extremely concerned drummers in the history of the genre.

The pianist on the album, Cedar Walton, is an accomplished author and bandleader in his own right, having played with the similarity Art Blakey, Freddie Hubbard, and Wayne Shorter. Tony Dumas, who handles bass duties, is known for his collaboration with George Benson, while saxophonist Bob Berg has had fun with some of the genre's greats like Miles Davis, Elvin Jones, and Horace Silver.

Composition and Style
"Bridgework" features a mix of original structures and jazz standards, showcasing the special styles of all the musicians involved. Each track on the album has its unique state of mind, pace, and design, making it a must-listen for fans of modern and difficult bop jazz.

The album starts with "Plexus", a high-energy tune with a driving rhythm and busy solos from both Berg and Walton. "If Someone Had Told Me", a melancholic and introspective ballad, offers a stark contrast with its gorgeous tunes and sluggish tempo. "Sue's Changes", another composition by Cedar Walton, restores the energetic vibe with its effective hooks and intricate solos from all members of the band.

Higgins contributes 2 compositions to the album - "Alias Buster Henry" and "One Higgins". The first bears his signature swing and features an amazing interaction between the saxophone and piano, while the latter is a dynamic and memorable piece that sticks out due to its spirited melody.

Additionally, the album consists of two jazz standards: "On Green Dolphin Street" and "Prelude to a Kiss". These tracks include a touch of tradition to the otherwise modern record and allow the artists to showcase their interpretation of the ageless classics.

Reception and Legacy
"Bridgework" received favorable reviews from jazz critics and lovers alike, who applauded the exceptional collaboration in between Higgins and his bandmates, as well as the skillful musicianship displayed throughout the record. The album has aged well and continues to be a desired gem by collectors and jazz aficionados.

Billy Higgins' contribution to the jazz landscape is unassailable, and "Bridgework" is a testament to his legacy as a composer, drummer, and bandleader. The album is a must-have for any fan of modern jazz and works as a pointer of the amazing talent that existed throughout the age when this record was produced.

In conclusion, "Bridgework" stands as a shining example of Billy Higgins' artistry, showcasing his capability to flawlessly blend contemporary and difficult bop jazz styles while still keeping a sense of originality and innovation. The 1986 album is a celebration of partnership and musicianship from a few of the best in business, making it a classic record that continues to be cherished by fans and collectors alike.