Album: Don't Call Me Mama Anymore

Introduction
"Don't Call Me Mama Anymore" is a live album launched in 1973 by the American vocalist Cass Elliot (1941-1974) in association with RCA Records. This album functions as a conclusion of Elliot's shift from folk-pop to cabaret and musical theatre, recording her last live performances at the renowned Mister Kelly's nightclub in Chicago. The album features a mix of cover tunes and original compositions, both of which are tailored to Elliot's effective and emotive voice, showing her development as a solo artist after her effective profession with The Mamas & Papas.

Track List
1. "Audience Introduction/Happy Opening"
2. "Mama's Gon na Give You Love"
3. "Does Anybody Love You"
4. "I Think a Lot About You"
5. "Don't Call Me Mama Anymore"
6. "Playing Games of Love"
7. "Come Softly to Me"
8. "The Torch Song Medley"
9. "A Song for You"
10. "Mama Cass' Theme"
11. "Closing".

Album Background
Cass Elliot, best known as Mama Cass from the folk-rock group The Mamas & Papas, was currently a successful solo artist since the late 1960s. Nevertheless, she did not wish to be entirely recognized for her deal with her previous group and wished to explore brand-new genres and performance styles. With "Don't Call Me Mama Anymore", she symbolized her breakaway from her previous persona and put a focus on her progressing career.

This album integrates the genres of jazz, pop, and simple listening, allowing Elliot to display her flexible singing talent. The album was mostly produced by Elliot's then-husband, Donald von Wiedenman, and notable musicians like conductor Benny Golson and pianist Roger Kellaway.

Live Performance and Reception
The live efficiencies at Mister Kelly's club were hailed as some of Elliot's finest work, as she was an accomplished performer who flourished on stage. Her effective voice and charming existence captivated audiences, making the shows extremely unforgettable. Critics praised her vocal range and capability to communicate feelings through her music. Additionally, she effectively handled to present herself as a sophisticated, yet approachable cabaret performer regardless of her previous association with folk-pop.

However, the business reception of the "Don't Call Me Mama Anymore" album was less successful. It did not make an impactful on the Billboard album chart, despite the mainly favorable reviews. Regrettably, Elliot never had an opportunity to build on the momentum of the live efficiencies as her life was all of a sudden cut short in 1974.

Legacy
"Don't Call Me Mama Anymore" remains a vital album to comprehend Cass Elliot's creative and individual journey. Although it may not have reached the heights of industrial success, it shows her unbelievable talent and her desire to explore new areas as a singer. With a mix of covers and initial songs, the album catches the essence of Elliot's flexibility, which would have undoubtedly thrived in different musical designs had she been provided more time.

The album is not just a testimony to the power of Elliot's voice and her capability to brilliantly browse various musical styles however also a suggestion of her long-lasting impact on the music world. The album serves as a tribute to a remarkable artist who will always be kept in mind, even if she didn't want us to call her "Mama" any longer.