Album: Miss Smith Goes To Nashville

Introduction
"Miss Smith Goes to Nashville" is the third studio album by American nation vocalist Connie Smith, released in 1966. The album includes 12 tunes highlighting Smith's effective and psychological voice, which drew her contrasts to the famous nation artist Patsy Cline. Produced by Bob Ferguson and recorded in the famous RCA Studio B in Nashville, Tennessee, the album showcases Smith's flexibility as a vocalist, delivering a variety of country ballads, upbeat honky-tonk anthems, and a few covers of pop music from that era, such as "It's Now or Never" by Elvis Presley.

Background and Composition
In 1964, Connie Smith rose to fame after her launching single "Once a Day" topped the Billboard Hot Country Singles chart for 8 weeks. This success led to the release of her first two albums, "Connie Smith" and "Cute 'n' Country", which cemented her position as a leading female artist in c and w. "Miss Smith Goes to Nashville" intended to continue the momentum of her early career.

The album boasts substantial nation pedigree, as it includes songs written by some of the finest songwriters of the time, such as Hank Cochran, Bill Anderson, and Harlan Howard. The opening track, "Ain't Had No Lovin'", is a standout ballad penned by Dallas Frazier and has Smith longing for the love of her life to come back to her. Other standout tracks include "The Hurtin's All Over", written by Harlan Howard and performed energetically by Smith, and "It's Now Or Never", a cover of the Elvis Presley hit that showcases Smith's ability to make traditional tunes her own.

Success and Impact
Upon its release in 1966, "Miss Smith Goes to Nashville" got favorable reviews from music critics who praised Smith's unique and emotive voice, which was already being hailed as "the voice of an angel". The album's first single, "Ain't Had No Lovin'", reached number 2 on the Billboard Hot Country Singles chart, while the second single, "The Hurtin's All Over", peaked at number 3, further showing Smith's chart success.

The album's success assisted solidify Connie Smith's status as one of the leading female nation artists of the 1960s, together with contemporaries like Loretta Lynn and Dolly Parton. At the time, c and w was controlled by male artists, but Smith managed to take an effective profession by combining her spectacular vocal skills with engaging storytelling that resonated with a large audience.

Legacy
"Miss Smith Goes to Nashville" remains a high point in Connie Smith's long and storied profession, which has actually covered over five years and led to more than 50 albums. In 2012, she was inducted into the Country Music Hall of Fame, validating her status as one of the all-time greats in the category.

The album is a testimony to the depth of talent in country music during the 1960s and serves as a suggestion of the golden era of Nashville. For fans of the genre or those thinking about checking out classic country music, "Miss Smith Goes to Nashville" provides a poignant and timeless listening experience that still resonates today.

In conclusion, Connie Smith's 1966 album "Miss Smith Goes to Nashville" is a turning point record in her career and in the history of country music. The album features Smith's effective, emotive voice while displaying her versatility across a variety of different designs within the genre. The success of the singles and the album itself cemented Smith's position as one of the top female nation artists of the 1960s and has left an enduring impact on the genre.