Album: Earthling

Introduction
"Earthling" is the 20th studio album by the legendary and prominent English artist David Bowie, launched on February 3, 1997. It was a speculative undertaking that integrated different genres such as electronic, techno, and drum and bass, in contrast to his previous album "Outside"( 1995) that was more concentrated on commercial rock. The album, recorded and produced alongside multi-instrumentalist Reeves Gabrels and producer Mark Plati, showcases Bowie's ever-evolving and innovative nature throughout his illustrious profession.

Background and Recording
Following the end of the "Outside" summer tour in 1996, David Bowie and his band went back to the studio with an intent to create something fresh and brand-new. The band at first tested drum and bass throughout live performances of their existing songs, however Bowie decided to instill the category in his new music. He was inspired by the work of popular electronic bands like Prodigy, Underworld and the Chemical Brothers.

The recording process began at Looking Glass Studios in New York City. Bowie and Gabrels incorporated the use of technology to develop special sounds and compositions by utilizing a range of instruments, computers, and samplers. Co-producer Mark Plati played a vital function to integrate these components and form the sonic landscape of "Earthling".

Style and Composition
"Earthling" is defined by the combination of electronic dance music, drum and bass, and a blend of rock, pop, and experimental elements. The album was primarily developed with the use of computer systems, samplers, and various digital tools. Bowie's distinct voice and singing methods can be heard throughout the album, accompanied by complex and layered structures.

Many tunes showcase the heavy usage of electronically generated beats, rhythms, and samples. The use of guitars is likewise prevalent, providing a rock edge to the electronic-dominated soundscape. Tunes like "Little Wonder" and "Telling Lies" exhibit the energetic and pulsating nature of the album, whilst "Seven Years in Tibet" and "Dead Man Walking" display Bowie's ability to craft poignant and emotive ballads.

Reception
Upon its release, "Earthling" received normally favorable evaluations, with critics praising Bowie's ability to reinvent himself and welcome brand-new categories, while others slammed it for being an unsuccessful attempt at commercial success by following suit of the electronic dance music scene. The album reached No. 6 on the UK Albums Chart, and No. 39 on the US Billboard 200.

In spite of not being as commercially successful as some of his previous albums, "Earthling" got a Grammy election for Best Alternative Music Performance. Furthermore, the album's lead single "Little Wonder" peaked at No. 14 on the UK Singles Chart and received considerable airplay on alternative radio stations.

Tradition
"Earthling" stands as a testimony to David Bowie's ever-evolving artistry and his authentic curiosity to try out different styles throughout his profession, even if it implied taking risks and challenging the status quo. The album's sounds and visuals influenced various contemporary artists like Trent Reznor, Lady Gaga, and Marilyn Manson, who shared similar eclectic technique and flair for audacious images.

Throughout the years, "Earthling" has gathered more recognition and appreciation for its ingenious nature. It has actually sealed its place in the comprehensive catalog of David Bowie as an unique and daring album that showcases his continuous desire to push limits and redefine not just his own musical identity but also the landscape of popular music as a whole.