Album: Docabilly

Introduction
"Docabilly" is a 1995 studio album by the distinguished American guitar player and singer Arthel Lane "Doc" Watson. It was released on Sugar Hill Records and produced by Watson's veteran partner and buddy, Tracy Schwarz. The album uses a special blend of standard and modern music, paying homage to the rockabilly and country sounds that affected Watson throughout his career. The title "Docabilly" is an amalgamation of "Doc" and "rockabilly".

Background
Throughout his extensive career, Doc Watson was primarily known for his mastery of conventional folk, bluegrass, and c and w. However, he was also heavily influenced by the rockabilly and early rock 'n' roll sounds of the 1950s. Watson had a deep appreciation for artists like Elvis Presley, Chuck Berry, and Buddy Holly, and during live shows, he would often perform their songs as a homage to their impact on him.

Taking this admiration an action even more, in 1995 Watson decided to dedicate a whole album to the rockabilly sound. At the age of 70, he went back to the recording studio with a group of gifted musicians, consisting of bassist David Hofner, drummer Bucky Baxter, and pianist Mike Cass. The weeks-long recording sessions took place in different locations, from a church to a cabin in the woods. Despite Doc's age and declining health, he stayed passionate about recording and was highly involved in the imaginative procedure and plans of the songs.

Album material
"Docabilly" includes a mix of original compositions and covers of traditional rockabilly and early rock 'n' roll hits. Some of the standout tracks include "Shake, Rattle and Roll", initially by Big Joe Turner, "Heartbreak Hotel" by Elvis Presley, "Singing the Blues" by Melvin Endsley, "What Am I Living For?" by Chuck Willis, and "Honey, Corinna". Watson's complex guitar playing and emotional vocals mix seamlessly with the rockabilly noise, breathing new life into these classics.

In addition to the covers, Watson likewise consists of a couple of initial tracks, such as "Thunderstorms and Neon Signs", a country ballad, and "She's Gone", a honky-tonk tune with a touch of a rockabilly feel. The album showcases Watson's adaptability as an artist, along with his impressive musicianship and his capability to adapt to numerous music genres.

Critical reception
Upon its release, "Docabilly" amassed a positive reaction from both fans and critics. Numerous applauded it for using a fresh take on classic rockabilly tunes and for showing a various side of Watson's musical skill. Critics kept in mind the album's enjoyable and transmittable energy, as well as the competent musicianship of Watson and his bandmates.

While "Docabilly" did not get the same level of business success as some of Watson's folk and bluegrass records, casual listeners and dedicated fans alike appreciated the nostalgic trip down memory lane. The album remains a distinct and beloved entry in Watson's extensive discography.

Legacy
"Docabilly" stands as a testament to Watson's unbelievable adaptability and his love for the rockabilly and early rock 'n' roll sound. It reminds listeners of his profound impact on American roots music and his desire to experiment with various genres. Sadly, Watson died in 2012, however his music, consisting of the distinct and perky "Docabilly", continues to influence and entertain fans around the world.