Album: Aerial Ballet

Introduction
"Aerial Ballet" is the 3rd album by American singer-songwriter Harry Nilsson, launched in 1968. Thought about a masterpiece in 1960s popular song, this album showcases Nilsson's distinct style, talent for songwriting, and his emotive voice. With tracks that vary from whimsical and positive to introspective and mournful, "Aerial Ballet" works as an excellent showcase of Nilsson's diverse abilities as an artist, lyricist and entertainer.

Background and Production
The album's title, "Aerial Ballet", was inspired by Nilsson's grandparents, who were Swedish circus performers and aerialists. Although it was not a commercial success upon its initial release, the album has since gained a cult following, thanks in part to Nilsson's association with The Beatles. In fact, it was John Lennon who dubbed Nilsson as his "favorite group", resulting in significant attention and support for Nilsson's career.

"Aerial Ballet" was produced by Rick Jarrard and arranged by George Tipton, who had actually formerly worked with Nilsson on his album "Pandemonium Shadow Show". The album was tape-recorded at RCA Victor Studios in Hollywood and featured a host of skilled musicians, consisting of Lyle Ritz on bass, Van Dyke Parks on keyboards, and Hal Blaine on drums.

The Songs
"Aerial Ballet" is a varied collection of songs that stabilizes whimsy, reflection, and melancholy. Among the most well-known tracks from the album is "Everybody's Talkin'", which was composed by Fred Neil and later became a big hit for Nilsson when it was featured on the soundtrack of the 1969 movie "Midnight Cowboy". A swaying, stunning ballad, "Everybody's Talkin'" features a simple but infectious tune, soft plans and Nilsson's gentle voice.

"Good Old Desk", the opening track on the album, showcases Nilsson's wit and wordplay, along with his capability to craft appealing pop tunes. With its jaunty piano and bright horns, the song details a guy's accessory to his faithful desk.

Another standout track is "One", a hypnotic and intricately organized song that later on became a hit for the band Three Dog Night. The lyrics convey a sense of loneliness, enhanced by the catchy, duplicating tune and stark plans.

"Mr. Richland's Favorite Song" is a wry commentary on the short lived nature of fame, while "Together" is a joyful event of love and companionship including Nilsson's multi-octave singing range. "Bath" and "Little Cowboy" showcase Nilsson's ability to weave complex, expressive stories within a brief, three-minute song.

Legacy and Influence
Although "Aerial Ballet" did not at first receive prevalent acclaim, the album has since acquired a cult following and is typically cited as one of Nilsson's finest works. It stays a testimony to his artistry and adaptability, which would later on motivate artists such as Billie Eilish, Glen Hansard, and Aimee Mann.

In 2008, the album was re-released by Nilsson's boy, Kiefo Nilsson, and atrioventricular bundle, as part of a job called "Aerial Pandemonium Ballet". This updated variation of the album keeps much of the original's beauty while adding brand-new instrumentation and vocal harmonies.

In conclusion, "Aerial Ballet" is an influential album in Harry Nilsson's discography, demonstrating his special songwriting, storytelling, and vocal skills. Its varied collection of tracks and poetic lyricism continue to mesmerize and inspire listeners to this day.