Album: Smoke 'n' Mirrors

Introduction
"Smoke 'n' Mirrors", launched in 2006, is the 40th album by GRAMMY Award-winning guitar player and composer, Lee Ritenour. Called "Captain Fingers" due to his distinct and ingenious playing design, Ritenour is an accomplished jazz musician who has experienced substantial success throughout his career. This specific album features a combination of jazz, world music, and Latin affects, highlighting Ritenour's capability to experiment with different sounds and styles while preserving his signature noise. Critically acclaimed, it showcases Ritenour's musical expertise and cooperation with other talented musicians.

Summary of the Album
"Smoke 'n' Mirrors" consists of 13 appealing tracks that captivate listeners with their rejuvenating mix of designs and instruments. Ritenour and his band have achieved a flexible and varied noise, featuring world music influences such as the Brazilian samba, African rhythms, and Cuban beats. The album is filled with initial compositions and some intriguing covers, all of which highlight Ritenour's penchant for improvisation and ingenious guitar playing.

The album features an outstanding lineup of artists, consisting of Brazilian percussionist Paulinho da Costa, drummer Will Kennedy, bassist Melvin Davis, keyboardist Barnaby Finch, and saxophonist Dan Higgins. These musicians have worked extensively with Ritenour on his previous tasks, producing dazzling chemistry and smooth mixing of numerous sounds and designs.

Track Highlights
"Smoke 'n' Mirrors" begins with the energetic and up-tempo "Smoke 'n' Mirrors", which includes a contagious mix of Brazilian samba, upbeat percussions, and Ritenour's perfect jazz guitar playing. This tune sets the tone for the whole album, presenting the listeners to the world of lively and eclectic music they can expect.

"Across the Line" is the album's second track, showcasing Ritenour's competent guitar work and his capability to produce remarkable melodies. The song has a memorable Latin-infused groove, matched by Ritenour's virtuosic guitar playing and melodic saxophone by Dan Higgins.

Another standout track, "Capetown", shows Ritenour's adaptability as a composer and musician. Featuring a playful mix of South African rhythms, jazz, and Latin influences, the track uses a rejuvenating contrast to the other tunes on the album, with an unique and adventurous style.

"Paprika" further highlights the album's worldwide sound, drawing motivation from the captivating rhythms and tunes of Cuban music. The dynamic percussion work and Ritenour's detailed guitar solos make this track an interesting and danceable addition to the collection.

The album also features two lovely covers: the Rascals' classic, "Groovin'", which is transformed into a smooth, bossa nova-style rendition, and a fascinating variation of the Beatles' "Yesterday", reimagined as a tender and emotional important.

Reception and Legacy
"Smoke 'n' Mirrors" was met positive evaluations from critics and fans alike. The album's refreshing blend of designs, Ritenour's innovative musicianship, and first-rate partnerships make this a deserving addition to his extensive discography.

The album made Ritenour a GRAMMY election for Best Pop Instrumental Album in 2007, signaling recognition of his accomplishment in music experimentation and top-notch musicianship.

In conclusion, "Smoke 'n' Mirrors" is a testimony to Lee Ritenour's ongoing passion for music and his devotion to pressing borders in the world of jazz. The album offers a captivating and vibrant listening experience while showing Ritenour's ability to adapt and innovate, even after 40 albums and an enduring profession. This album is a must-listen for fans of jazz, world music, and those who value the art of professional musicianship.