Album: Rays

Introduction
"Rays" is a 2006 album by American musician, singer, and songwriter Michael Nesmith. This work of art marks Nesmith's 14th studio album and his very first given that 1994's "The Garden". "Rays" displays Nesmith's continuous growth and experimentation as a songwriter and manufacturer, showcasing his varied musical talents and vision. The album includes 12 original tracks, blending components of rock, pop, jazz, and folk music with interesting lyrics and elaborate melodies, resulting in a mesmerizing musical journey for the listener.

Background & Recording
After a long hiatus, during which Nesmith concentrated on his movie jobs, books, and running the non-profit Gihon Foundation, he returned to the studio in 2005 to produce brand-new music. Operating in collaboration with a group of skilled musicians and producer Jerry Fordham, Nesmith looked for to push the limits of traditional music-making and recording strategies, tape-recording the album in a digital format and using modern applications for mixing and mastering. This approach shows Nesmith's ingenious and forward-thinking disposition, which has been a trademark of his profession because his days with The Monkees.

Music and Lyrics
Throughout "Rays", a sense of maturity and introspection can be heard in Nesmith's songwriting. The album opens with "The Other Room", a poignant and reflective song that sets the tone for the remainder of the record. Various influences can be heard in the album, from jazz and blues in "Babadidit" and "Rays (Jump for Joi)" to elements of rock and folk in "Rays (Flyby)" and "Ginger Cranston".

The lyrics on the album are similarly intricate, with Nesmith checking out styles of identity, love, loss, and existentialism. For example, "Dancin' at the Feet of Angels" functions as an ode to the beauty and power of love, while "I Am Not That" checks out the nature of self and the fluidity of identity. Nesmith's lyrics possess a depth and philosophical quality that welcomes the listener to ponder their own experiences and sensations, ending up being an introspective journey.

Reception
"Rays" got a mixed reaction from both fans and critics upon its release. Some praised the album for its experimental nature and Nesmith's desire to progress as an artist, while others felt it lacked the catchiness of his earlier work. Nevertheless, the passage of time has shown the album's capability to discover an appreciative audience, particularly amongst people who love exploring the lesser-known and more speculative side of music.

Tradition
Regardless of its mixed reception, "Rays" stands apart as a testimony to Michael Nesmith's continued development and imaginative spirit as an artist, refusing to remain stagnant or fall prey to the pressure of producing commercial hits. The album serves as a necessary piece of Nesmith's discography, showcasing his innate ability to mix various musical categories and styles while exploring thought-provoking themes in his lyrics.

In 2018, Nesmith embarked on his "First National Band Redux" trip, where he performed tracks from his earlier solo albums along with selections from "Rays", further cementing the album's significance and appeal within his body of work.

Conclusion
"Rays" remains a compelling and appealing album that showcases Michael Nesmith's multi-faceted skills. This album might not have actually garnered as much immediate success as his previous works, but it is a necessary listen for true fans and admirers of Nesmith's creative vision. Through "Rays", Nesmith shows that real artistry lies in the constant look for growth, experimentation, and the pursuit of authenticity.