Album: White People Party Music

Introduction
"White People Party Music" is a controversial studio album launched by star, comedian, and rapper Nick Cannon on April 1, 2014. The album is Cannon's second, following his 2003 self-titled launching. It caught substantial public attention due to its intriguing title and numerous high-profile cooperations with artists, consisting of Akon, Afrojack, and Pitbull. However, despite the existence of these popular artists, the album got mixed to unfavorable evaluations from critics, who found the humor and music to be typically unappetizing and offending.

Background and Production
After a decade-long hiatus from his music career, Nick Cannon decided to return to the studio and produce a brand-new idea album. He declared to have taken inspiration from the culture of party music, especially the kind of tunes heard at parties gone to by white people. As a result, he decided to call the album "White People Party Music" as an ironic commentary on the popularity of certain dance tracks among white Americans.

The production of the album was dealt with by a mix of well-known and up-and-coming producers, such as DJ Buddha, Afrojack, James Brown, and The Monsters and The Strangerz. It features numerous music styles, consisting of pop, R&B, hip-hop, and electronica, and integrates a range of instruments and synths to create a high-energy celebration environment.

Track Listing and Collaborations
"White People Party Music" consists of 18 tracks, with partnerships from numerous renowned artists across different genres. A few of the notable tracks and cooperations consist of:

1. "Looking for a Dream" - Featuring Afrojack, this pop-infused track is known for its memorable beat and heavy synths.
2. "Unbelievable" - A deep electro home track, which includes Afrojack and singer MoZella.
3. "America" - An energetic, patriotic number where Cannon is signed up with by Pitbull, detailing anecdotes from his youth and life in America.
4. "Pajama Pants" - Featuring rap artists Future and Migos, the tune is a humorous take on a casual dress code in clubs.
5. "Dance Floor" - An upbeat dance track that takes inspiration from electronic music and sees Cannon coordinating with manufacturer Ryan Bowers and Kehlani.

Debate and Criticism
The album's title and marketing material stimulated considerable debate. Many critics and social media users accused Cannon of cultural appropriation and racism. The comic reacted to the criticism by defending the title and its objective, explaining that it was suggested to make fun of stereotypes and "break down barriers culturally".

The album itself got blended to unfavorable reviews from music critics. Some valued Cannon's attempt at humor and high-energy celebration beats, however the bulk found it offending, unsavory, and trying too tough to be amusing. Lots of critics likewise explained its lack of compound, shallow lyrics, and generic music production.

Industrial Performance
Regardless of the several A-list cooperations and the attention generated by its questionable nature, "White People Party Music" failed to make any considerable influence on the charts. It did not chart on the Billboard 200 and had just moderate success in specific niche categories, like the US Dance/Electronic Albums. The album's sales were also considered disappointing, thinking about Cannon's fame and media presence.

Conclusion
While "White People Party Music" might have been an enthusiastic effort to go back to the music scene and deal paradoxical social commentary, its controversial nature and mixed reception impeded its success. The album remains a fascinating piece of current pop culture history, showing the potential consequences of pressing limits and having fun with sensitive cultural stereotypes in innovative works.