Album: Reality Killed the Video Star

Introduction
"Reality Killed the Video Star" is the eighth studio album by British singer-songwriter Robbie Williams, launched on November 6, 2009. The album was produced by the legendary Trevor Horn, who has dealt with the similarity Seal, Pet Shop Boys, and Frankie Goes to Hollywood. The title is a play on the expression "Video Killed the Radio Star", a referral to the first video revealed on MTV in 1981, showing the power of visual media over audio media. With this album, Williams set out to produce a contemporary pop record that shifted far from his earlier rock noise and instead tapped into the more sophisticated, energetic pop tunes he was understood for.

Reception
"Reality Killed the Video Star" received blended evaluations from music critics. Some applauded Williams for returning to his original pop sound, while others criticized its inconsistency and lack of memorable tracks. Nevertheless, the album performed reasonably well commercially, peaking at second on the UK Albums Chart and accomplishing multi-platinum certification in numerous nations. The album likewise topped the charts in a number of European countries such as Germany, Switzerland, and Austria.

Lead Single: "Bodies"
The lead single from the album, "Bodies", was released on October 11, 2009. The tune showcased a blend of electro-pop and dance-rock impacts with orchestral aspects, the latter being a recurring theme on the album. Lyrically, the track deals with themes of fame, death, and spirituality. "Bodies" gotten mixed reviews from critics, with some admiring its appealing chorus while others found the lyrics to be confusing. However, the single was a commercial success, reaching the top ten in numerous countries, including the UK, where it peaked at second on the songs chart.

Other Singles and Notable Tracks
Other singles released from "Reality Killed the Video Star" consist of "You Know Me", which includes a traditional pop noise, and "Morning Sun", a more reflective track reflecting on the darker side of fame. Both of these songs got moderate chart success in Europe. Notable album tracks include the upbeat "Starstruck" and the introspective "Last Days of Disco", which features a blend of electronic and orchestral aspects, along with a strong 80s ambiance.

Styles and Musical Style
Throughout "Reality Killed the Video Star", Robbie Williams checks out various themes, consisting of popularity, love, sexuality, and fond memories. The album showcases a varied variety of musical designs, such as synth-pop, dance-rock, and orchestral elements, which sometimes create a cinematic feel. The production by Trevor Horn is slick and refined, with numerous tracks including layered plans and elaborate instrumentation.

One crucial style that appears to permeate the album is the principle of "reality" versus "fantasy". As the title suggests, Williams takes a look at the concept of truth trespassing on the world of the video star, which can be viewed as a metaphor for the lessening glamour of the show business.

Conclusion
"Reality Killed the Video Star" marked a return to Robbie Williams' pop roots and a shift away from the rock-heavy noise of his earlier work. In spite of getting mixed reviews, the album was a success both in the UK and throughout Europe, with numerous singles reaching the upper tiers of the charts. The varied styles and musical styles discovered on the album expose a more mature, self-aware artist facing the intricacies of fame, love, and the passage of time.