Album: Walls Have Eyes

Introduction
"Walls Have Eyes" is the fourth solo studio album by British singer-songwriter and Bee Gees member Robin Gibb, released in November 1985. The album consists of contributions from numerous popular artists and producers, consisting of Maurice Gibb, Tom Dowd, and Arif Mardin. Although it did not attain the industrial success of its predecessors, "Walls Have Eyes" represents a turning point in the artist's career and uses insight into the musical trends and designs of the mid-1980s.

Album Background and Production
After the release of his 1983 album, "How Old Are You?", Robin Gibb took a short hiatus from taping solo product. In the meantime, he added to the Bee Gees' soundtrack for the movie "Staying Alive" (1983) and later reunited with his siblings to record the band's 16th studio album, "ESP" (1987). "Walls Have Eyes" however, significant Robin's return to the spotlight as a solo artist.

The album was produced by three heavyweight producers from the music industry - Maurice Gibb (Robin's sibling and fellow Bee Gees member), Tom Dowd (understood for his deal with Eric Clapton, the Allman Brothers Band, and many others), and Arif Mardin (known for his deal with artists like Aretha Franklin, the Bee Gees, and Hall & Oates). These collaborations assisted Robin to expand his musical horizons and cultivate a more polished and contemporary noise in comparison with his earlier solo albums.

Album Content and Style
"Walls Have Eyes" consists of ten tracks that exhibit the unique pop and dance designs that were popular in the 1980s. Robin's silky and emotive vocals, combined with appealing hooks and melodic plans, offer the album its distinct beauty. Some noteworthy tunes from the album include:

1. "You Don't Say Us Anymore" - The album's opener features a driving beat, layered with synths and effective backing vocals, setting the tone for the remainder of the record.

2. "Like a Fool" - This track has an enjoyable blend of upbeat pop and New Wave stylings.

3. "Toys" - A deeper, darker track with prominent bass and moody synths.

4. "Gone with the Wind" - With its slower tempo and melancholic environment, this tune showcases Robin's capability to create mentally engaging ballads.

5. "These Walls Have Eyes" - The album's title track is a catchy, up-tempo pop tune including a vibrant rhythm and contagious tune.

Reception and Legacy
Upon its release, "Walls Have Eyes" sadly did not achieve significant industrial success, specifically in comparison to Robin's previous albums. The album peaked at number 177 on the Billboard Top 200 and failed to produce any hit singles on the charts.

In spite of this, "Walls Have Eyes" remains an important addition to Robin Gibb's discography and supplies an intriguing picture of the musical landscape during the mid-1980s. While the album may not have amassed the recognition it deserved upon its release, it now serves as a classic and appealing listening experience for fans of the Gibbs brothers' storied musical careers.

In summary, "Walls Have Eyes" is an intriguing and in some cases underappreciated piece of Robin Gibb's solo work. The album's sleek production, memorable tunes, and emotive songwriting serve as a testament to Robin's growth as an artist and songwriter throughout the 1980s. Although it might not have accomplished mainstream success, "Walls Have Eyes" continues to resonate with fans of Robin Gibb and the Bee Gees, functioning as an important part of the brothers' musical legacy.