Album: Leavin' Town

Introduction
"Leavin' Town" is the second studio album by American country music artist Waylon Jennings, released in 1966. This album marked the start of Jennings' rewarding partnership with manufacturer Chet Atkins, who helped Jennings improve his raw, honky-tonk noise into a more refined and mainstream-friendly c and w design.

The album includes a combination of original product made up by Jennings and covers of pop music from other artists. Although it didn't get instant industrial success, it showcased Jennings' talent as a singer, songwriter, and entertainer, which would later make him among the most prominent figures in the hooligan nation movement.

Design and Production
Under the assistance of Chet Atkins, "Leavin' Town" took Jennings in a new direction, integrating aspects of the emerging "Nashville Sound". This sleek production design, characterized by smooth vocals, background vocals, and lavish orchestration, intended to make country music more tasty to the pop audience. While this move far from Jennings' honky-tonk roots may have pushed away some fans, it assisted to expose his music to a larger audience.

Jennings' rich baritone voice stood apart versus the backdrop of sleek production, giving the tunes a distinctively Waylon flavor. Atkins' production skills also helped to highlight Jennings' distinct phrasing and interpretive powers, making the songs feel both familiar and new at the same time.

Tracklist and Song Highlights
"Leavin' Town" includes a choice of 12 tracks, including both original structures by Jennings and covers of tunes by other artists. A few of the album's standout tracks include:

1. "Leavin' Town" - The upbeat, memorable title track is a prime example of the polished Nashville Sound that defines this album, while Jennings' distinctive vocals inject a dose of honky-tonk authenticity.

2. "Time to Bum Again" - This tune showcases Jennings' songwriting skills and his capability to craft a remarkable tune. The lyrics discuss themes of loneliness and heartbreak, subjects that would end up being staples in his later work.

3. "Ragged however Right" - A cover of George Jones' classic tune, this track is a testimony to Jennings' capability to make a widely known tune his own. The positive tempo and rollicking instrumentation make it a definite emphasize of the album.

4. "Anita, You're Dreaming" - Co-written by Jennings and his good friend Don Bowman, this genuine ballad shows Waylon's skill for crafting deeply individual lyrics. The tune's gentle tune and lavish orchestration offer the perfect backdrop for his pensive, psychological vocals.

5. "Just Across the Way" - The closing track on the album, this song reveals Jennings' capability to move effortlessly from raucous honky-tonk numbers to tender ballads. The wholehearted lyrics and beautiful melody make it a fitting conclusion to the album.

Tradition and Influence
While "Leavin' Town" may not have actually been a resounding commercial success, it remains a crucial album in Waylon Jennings' discography as it marked the first partnership in between him and producer Chet Atkins. The polished Nashville Sound on this album functioned as a sharp contrast to the raw, gritty hooligan country movement that Jennings would go on to pioneer in the 1970s.

In retrospect, "Leavin' Town" can be seen as a stepping stone on Waylon Jennings' journey to establish his special and influential design within the country music category. Although it checked out a various instructions than his later work, the album showcased Jennings' immense talent and gave him the chance to improve his noise for a more comprehensive audience.