"A man with convictions finds an answer for everything. Convictions are the best form of protection against the living truth"
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Certainty, Frisch suggests, is less a moral spine than a psychological bunker. “A man with convictions finds an answer for everything” lands like a compliment until you hear the trapdoor: the person who can explain anything rarely has to learn anything. Convictions become a ready-made keyring that fits every lock because it doesn’t actually engage the mechanism; it forces it. The line has the hard, cool irony of a novelist who’s watched ideology turn human complexity into a solved puzzle.
“Protection against the living truth” is the tell. Truth here isn’t a slogan or a doctrine; it’s “living” - changeable, messy, inconvenient, full of other people. Convictions act as insulation, keeping that vitality from getting in. They spare you the embarrassment of revising yourself. They also spare you the risk of empathy, because empathy requires provisional thinking: the willingness to sit with contradictions long enough for them to rearrange you.
Frisch wrote in the long shadow of European catastrophe and postwar self-exculpation, when “conviction” had been marketed as virtue and revealed as alibi. His warning isn’t against principles so much as against principles that are too frictionless - beliefs that answer before they listen. As a novelist, he’s attuned to character, and character is defined by what resists easy explanation. Conviction, in this formulation, is the enemy of narrative: it ends the story early, replacing encounter with conclusion.
“Protection against the living truth” is the tell. Truth here isn’t a slogan or a doctrine; it’s “living” - changeable, messy, inconvenient, full of other people. Convictions act as insulation, keeping that vitality from getting in. They spare you the embarrassment of revising yourself. They also spare you the risk of empathy, because empathy requires provisional thinking: the willingness to sit with contradictions long enough for them to rearrange you.
Frisch wrote in the long shadow of European catastrophe and postwar self-exculpation, when “conviction” had been marketed as virtue and revealed as alibi. His warning isn’t against principles so much as against principles that are too frictionless - beliefs that answer before they listen. As a novelist, he’s attuned to character, and character is defined by what resists easy explanation. Conviction, in this formulation, is the enemy of narrative: it ends the story early, replacing encounter with conclusion.
Quote Details
| Topic | Truth |
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