"A person himself believes that all the other portraits are good likenesses except the one of himself"
About this Quote
The sting in Munch's line is how casually it indicts our supposed visual literacy. We like to think we can judge an image on its merits, but the moment the subject is us, the standards change. Everyone else can be captured "accurately"; our own portrait becomes a provocation, an insult, a bad mirror. Munch is pointing at a small psychological scam: we treat self-recognition as objective when it is really a negotiation between vanity, shame, and the story we need to believe about our face.
As a painter who spent his career turning inner weather into visible form, Munch understood that likeness is never just anatomy. Portraiture pretends to be documentation, but it functions as interpretation, and the sitter's ego wants veto power. When the portrait refuses to flatter, we call it untrue. When it flatters too much, we call it kind. The "good likeness" of others is easy because we don't have to live inside their skin; we can grant the artist authority. With ourselves, we are both judge and defendant.
The context matters: Munch worked in an era when photography was standardizing appearance into supposedly neutral proof, while modern art was moving the other direction, insisting that truth could be emotional, distorted, even ugly. His quote lands as a sly defense of expressionism: if you hate your portrait, the problem may not be the brushwork. It may be the shock of seeing how contingent your self-image really is.
As a painter who spent his career turning inner weather into visible form, Munch understood that likeness is never just anatomy. Portraiture pretends to be documentation, but it functions as interpretation, and the sitter's ego wants veto power. When the portrait refuses to flatter, we call it untrue. When it flatters too much, we call it kind. The "good likeness" of others is easy because we don't have to live inside their skin; we can grant the artist authority. With ourselves, we are both judge and defendant.
The context matters: Munch worked in an era when photography was standardizing appearance into supposedly neutral proof, while modern art was moving the other direction, insisting that truth could be emotional, distorted, even ugly. His quote lands as a sly defense of expressionism: if you hate your portrait, the problem may not be the brushwork. It may be the shock of seeing how contingent your self-image really is.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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