"After a sound drubbing followed by half a day's fasting, I felt more like laughing than like crying; and, in half a while, all was forgotten and my wickedness began afresh and worse than ever"
About this Quote
Punishment lands here with all the theatrical heft of an old moral fable, then promptly fails its own test. Streuvels gives us a narrator who’s been “soundly” beaten and forced to fast - the classic twin instruments of discipline aimed at body and will - yet the emotional outcome is perversely inverted: not tears, but laughter. That pivot is the point. It’s not bravado so much as an exposure of the machinery of correction: pain can humiliate, but it doesn’t automatically reform; it can even sharpen the appetite for transgression.
The phrasing moves with sly momentum. “In half a while” is almost dismissive, a small shrug of time that reduces the supposed seriousness of the lesson to something fleeting. “All was forgotten” isn’t just a confession of childish short memory; it’s an indictment of a system that relies on fear and deprivation as if memory were the same as conscience. Then the closing twist - “my wickedness began afresh and worse than ever” - doesn’t read like cartoon villainy. It reads like escalation: punishment becomes fuel, not cure, breeding resentment, ingenuity, or a taste for pushing back.
Contextually, Streuvels’ work often tracks rural life and its moral economies, where authority is intimate and physical, meted out in kitchens and farmyards rather than courtrooms. The subtext is a cool, unsentimental realism about human behavior: discipline can produce compliance, but it can also produce a private counter-life - a grinning, stubborn inner autonomy that refuses to be improved on schedule.
The phrasing moves with sly momentum. “In half a while” is almost dismissive, a small shrug of time that reduces the supposed seriousness of the lesson to something fleeting. “All was forgotten” isn’t just a confession of childish short memory; it’s an indictment of a system that relies on fear and deprivation as if memory were the same as conscience. Then the closing twist - “my wickedness began afresh and worse than ever” - doesn’t read like cartoon villainy. It reads like escalation: punishment becomes fuel, not cure, breeding resentment, ingenuity, or a taste for pushing back.
Contextually, Streuvels’ work often tracks rural life and its moral economies, where authority is intimate and physical, meted out in kitchens and farmyards rather than courtrooms. The subtext is a cool, unsentimental realism about human behavior: discipline can produce compliance, but it can also produce a private counter-life - a grinning, stubborn inner autonomy that refuses to be improved on schedule.
Quote Details
| Topic | Learning from Mistakes |
|---|---|
| Source | Help us find the source |
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