"And the only studies were - Rodney Dangerfield was my mentor and he was my Yale drama school for comedy"
About this Quote
Klein’s line is a small masterclass in comic self-positioning: he takes the most prestige-soaked credential in American acting culture, Yale Drama, and swaps in a guy famous for playing the perpetual schlemiel. The joke lands because it flatters and punctures the same idea at once. Yes, craft matters. No, the gatekeepers don’t own it.
Calling Rodney Dangerfield his “mentor” isn’t just name-dropping; it’s a declaration of lineage. Klein came up when stand-up was evolving from nightclub patter into a more authored, persona-driven art form. In that ecosystem, mentorship was often informal, brutal, and practical: watching sets, stealing structure (not jokes), learning how to ride a dead room, how to make timing look effortless. That’s the real curriculum he’s pointing to.
The Yale comparison carries extra bite because comedy has always had a chip on its shoulder about legitimacy. Drama gets conservatories, grants, reverence. Stand-up gets two drinks minimum and a mic that may or may not work. Klein’s phrasing turns that resentment into pride: the education was real, just unaccredited, learned in smoky rooms from a master of the underdog voice.
Subtextually, it also reframes Dangerfield. Behind the “no respect” shtick was a technician who understood pacing, escalation, and the economics of a laugh. Klein’s intent is to canonize that expertise while keeping it street-level: if you want to learn comedy, don’t audition for approval. Get schooled by someone who can survive the crowd.
Calling Rodney Dangerfield his “mentor” isn’t just name-dropping; it’s a declaration of lineage. Klein came up when stand-up was evolving from nightclub patter into a more authored, persona-driven art form. In that ecosystem, mentorship was often informal, brutal, and practical: watching sets, stealing structure (not jokes), learning how to ride a dead room, how to make timing look effortless. That’s the real curriculum he’s pointing to.
The Yale comparison carries extra bite because comedy has always had a chip on its shoulder about legitimacy. Drama gets conservatories, grants, reverence. Stand-up gets two drinks minimum and a mic that may or may not work. Klein’s phrasing turns that resentment into pride: the education was real, just unaccredited, learned in smoky rooms from a master of the underdog voice.
Subtextually, it also reframes Dangerfield. Behind the “no respect” shtick was a technician who understood pacing, escalation, and the economics of a laugh. Klein’s intent is to canonize that expertise while keeping it street-level: if you want to learn comedy, don’t audition for approval. Get schooled by someone who can survive the crowd.
Quote Details
| Topic | Funny |
|---|
More Quotes by Robert
Add to List


