"And their pals vote for their stuff when they're not on the panel, and it just keeps going that way. And they tend to be very fringe artists, so anything before the 20th century is not worth considering. This is out of date"

In this quote, Charlton Heston is revealing apprehension and criticism towards a specific group or system involved in evaluating or backing creative work. His comments recommend a belief that there is a sort of nepotism or favoritism at play, where a little, tight-knit group-- referred to as "friends"-- support each other's work in a way that perpetuates a cycle of endorsement and acceptance. This could suggest a lack of diversity in opinion or evaluation, as those within the group may regularly promote each other's work to preserve their status and guarantee their point of views dominate.

Heston notes that these individuals are "really fringe artists", indicating that their work or viewpoints do not line up with more mainstream or standard requirements. This designation of "fringe" could suggest that these artists are speculative, progressive, or otherwise out of action with conventional creative values. Heston's usage of the term may bring an unfavorable connotation, recommending such work may not have broad appeal or long lasting value.

The termination of "anything before the 20th century" by these artists or their advocates shows a viewed disregard for historic artistic achievements and the enduring value of classical or standard works. Heston is most likely criticizing what he views as a pattern towards development for its own sake, at the cost of recognizing and appreciating the rich tradition of past art types.

Finally, the statement "This runs out date" acts as Heston's critique of the existing system or mindset. It suggests he thinks the method is ineffective or misguided, potentially due to being insular or not acknowledging a wider spectrum of artistic accomplishment. By identifying the system "out of date", Heston appears to require a re-evaluation, advocating for a more inclusive and traditionally conscious appreciation of art that values both tradition and development.