"At first I was a bit indignant about it, and then I realised, 'No, that's what people want, so that's what is given.' But it's not in your control. It's just what happens to you, and that's what's frightening"

In this quote by Julia Ormond, she's reviewing the dynamics of public perception and personal company, specifically in the context of fame or public life. Her statement begins with an admission of initial indignation, recommending a feeling of frustration or animosity. This likely stems from a viewed misalignment in between her self-image or intentions and how she is seen by others. It highlights the natural human desire for congruency between who our company believe we are and how we are perceived.

As she advances, Ormond recognizes a crucial shift in viewpoint. The realization she describes is an approval that public understanding often goes beyond personal intent. "No, that's what individuals desire, so that's what is given", highlights her understanding of the transactional nature of public persona and media presence. Here, she may be acknowledging the collective influence and expectations of audiences that form celebrity identity, sometimes overriding the individual's own story.

The phrase, "But it's not in your control", highlights an essential stress between personal agency and external perception. Ormond appears to acknowledge a loss of control, indicating her awareness that as soon as public narratives take hold, they can evolve independently of the person's objectives. This echoes the broader experience of anyone in the public eye, where the growing of image is frequently determined by external forces rather than personal truth.

Finally, Ormond records a deep-seated human worry: the absence of control over how one is viewed by society. It's a scary realization that resonates beyond the world of celebs to anybody who has actually felt misunderstood or misrepresented. This highlights the vulnerability that accompanies public life, where a person can end up being a mere item under the ruthless look of popular opinion and media narratives.

In essence, Ormond's reflection is a poignant commentary on the dichotomy between self-perception and public image, highlighting the challenges of browsing identity in the modern-day world.