"Burroughs was never really that pleased with the way popular culture and society treated his character. He tried to make a few movies of his own as a result, but they weren't very good"

In this quote, Brendan Fraser supplies insight into the complex relationship between an artist and how their work is received by the more comprehensive public. William S. Burroughs, a prominent figure of the Beat Generation and an essential author in 20th-century literature, is the "Burroughs" referenced here. Though mostly celebrated for his literary contributions, Burroughs's influence leaked into popular culture-- a culture that didn't constantly line up with his visions or objectives.

Fraser's remark recommends a sense of discontentment on Burroughs's part with how his characters and ideas were absorbed and represented in the mainstream. As a writer understood for narrative development and tough social standards, Burroughs may have felt that pop culture either diluted or misinterpreted the provocative themes he checked out in his work. This stress isn't uncommon among developers who perceive their art as a way to push boundaries and provoke thought, only to see it commodified in kinds that might streamline or sensationalize its initial essence.

The latter part of the quote mentions Burroughs's efforts to endeavor into filmmaking, a medium through which he presumably sought more control over the analysis and representation of his concepts. Nevertheless, Fraser openly notes that these cinematic ventures "weren't great", highlighting a possible disconnect in between Burroughs's literary genius and his proficiency in other forms of storytelling. This recommends that while skill in one innovative opportunity does not constantly translate effortlessly to another, it also clarifies Burroughs's desire to reclaim his story.

Eventually, Fraser's quote reviews the often-fraught relationship between initial creators and the adaptations of their work. This tension is emblematic of a wider creative battle: the desire for authenticity versus the pull of pop culture's needs. It raises concerns about ownership, fidelity, and the unavoidable improvement that takes place when art crosses from its preliminary creation into the collective domain.