"But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive"

Wim Wenders, a popular German filmmaker, makes a compelling argument against protectionism worldwide of European cinema in this quote. The essence of his statement is rooted in the concept that protectionism, similar to constructing a fence around European movie theater, might provide a shallow complacency but eventually suppresses development, innovation, and the real spirit of artistic expedition.

Wenders suggests that the impulse to safeguard is easy to understand, especially in a culturally abundant yet economically changing environment like the film market. European cinema has historically been threatened by the supremacy of Hollywood, and protectionist policies might become a reactionary procedure to protect local cultures and artistic expressions. However, Wenders argues that such policies can restrict creativity by isolating European movie theater from international impacts and competitors.

By describing protectionism as "the tomb," Wenders alerts of the consequences of restricting the movie theater's direct exposure to external impacts and concepts. A protectionist technique might impede filmmakers' capability to engage with varied narratives, technologies, and strategies that frequently come from engaging with a global audience. The "fence" metaphor highlights the threats of isolationism-- securing cinema through barriers may offer a short-term reprieve from competition, however it risks creating an echo chamber where development is stymied, and audiences grow significantly detached from broader cultural dialogues.

Wenders champs a more open, vibrant interaction in between European movie theater and the world. He thinks that survival and growth don't originate from seclusion but from embracing change and competition, cultivating an environment where filmmakers can prosper by redefining stories and aesthetic worths through diverse inspirations. By doing so, European cinema can maintain its special identity while likewise participating and developing within the international film market.

In essence, Wenders advocates for a movie theater that is resilient, adaptive, and internationally mindful-- a cinema that can base on its own merit without the synthetic crutch of protectionism.