"But some people will say you just did these programs. Well, yes, the programs are important and I'm proud of the programs, but mostly I'm proud of the way the San Francisco Symphony plays these programs"

Michael Tilson Thomas's quote shows a deep sense of pride and nuanced understanding of his deal with the San Francisco Symphony. In the beginning glimpse, he's acknowledging a possible criticism: that he merely executed particular programs. However, the word "simply" hints at a typical undervaluation or shallow understanding of his role. By yielding that "the programs are necessary", Tilson Thomas underlines their significance, like the collection choice, thematic expedition, or innovative presentation. Programs are, undoubtedly, the backbone of any symphonic season, offering audiences a curated experience of musical art and emotional narrative.

However, the crux of his pride lies beyond these programs; it lives in the realm of execution, specifically, how the San Francisco Symphony performs them. The expression, "the way the San Francisco Symphony plays these programs", recommends an extraordinary level of musicianship and cohesion. This speaks to the orchestra's ability to breathe life into the notes on the page, changing them into expressive, moving experiences. Through this lens, Tilson Thomas's statement recognizes the cooperative relationship between a conductor and the orchestra-- where his vision satisfies their artistry.

His focus on "the way" the programs are played also hints at a much deeper creative accomplishment-- these aren't simple renditions, however maybe innovative interpretations that distinguish the San Francisco Symphony. The cooperation likely shows his impact and rapport with the orchestra, highlighting his role in forming its distinct sound and technique.

In essence, Tilson Thomas's words commemorate a holistic musical accomplishment. It's not practically picking difficult or popular works, however about the skillful execution that brings them to life, developing memorable, resonant performances. His pride is well-founded, grounded in the shared achievement in between conductor and artists, adding to an abundant cultural legacy.