"But the thing about bad guys is that they have the biggest bosomed blond, they have great clothes and cars, and get great death scenes"

Eric Roberts' quote offers an interesting commentary on the archetypal portrayal of villains in popular culture, particularly in movies and tv. This point of view records the multifaceted allure of the "bad guy" and mean why such characters often captivate audiences around the globe.

First of all, the mention of "the greatest bosomed blonde" highlights the olden trope where villains are often surrounded by glamorous and appealing buddies. This is a reflection of a more comprehensive narrative method where the antagonist's lifestyle is exaggerated to emphasize decadence and excess. By associating villains with such tropes, creators enhance their charisma and superficial charm, adding layers to their on-screen presence and perhaps highlighting a morally questionable ability to attract anything they desire, consisting of lovely companions.

The referral to "terrific clothes and automobiles" underscores the material luxury typically associated with atrocious characters. These visual indications serve both as a symbol of success and power, and as a tool to encourage audience affection or envy. By depicting bad guys as possessing high status through external appearances, writers can contrast the essential vacuum of their ethical compass with their relatively enviable way of life, often making their eventual failure more rewarding for audiences.

Finally, "fantastic death scenes" recommend the significant culmination that such characters often get. In narratives, the demise of a well-crafted bad guy can be both cathartic and unforgettable. These moments typically employ increased drama, fancy situations, or poetic justice, ensuring that the bad guy's exit leaves an enduring impression. The artistry in crafting a compelling and fitting end even more elevates the villains' narrative significance and enhances their function as integral to the storytelling experience.

In essence, Roberts' quote succinctly encapsulates why cinematic bad guys command such strong narrative and audience engagement-- through their appealing accompaniments, ostentatious lifestyles, and memorable exits, they embody both the immorality and magnetism that make stories both thrilling and resonant.