"Cocktail music is accepted as audible wallpaper"
- Alistair Cooke
About this Quote
Alistair Cooke's quote, "Cocktail music is accepted as audible wallpaper," provides a brilliant metaphor that speaks with the function and perception of specific kinds of music in social settings, particularly in Western culture. By referring to mixed drink music as "audible wallpaper," Cooke recommends that this genre of music serves a mostly ornamental purpose; it is implied to enhance the atmosphere without frustrating it, just like wallpaper in a room. This characterization invites us to think about how music can run in the background, shaping the environment discreetly and frequently unconsciously.
The concept of "audible wallpaper" implies that cocktail music mixes seamlessly into its setting, similar to wallpaper matches the furniture and decor without drawing undue attention to itself. This kind of music is generally crucial, soft, and melodic, created to be inconspicuous yet pleasant, offering a background that helps with discussion instead of takes on it. In essence, it produces a state of mind or an atmosphere where the focus can stay on social interaction, dining, or other activities common of mixer and celebrations.
Cooke's declaration likewise raises concerns about the worth and gratitude of music in contemporary society. By relegating certain types of music to the status of "audible wallpaper," we might question whether this lessens its artistic worth or relegates it to a practical function. It invites reflection on whether music, when not actively listened to or engaged with, loses some of its inherent richness and purpose. Alternatively, one may argue that in acting as "audible wallpaper," mixed drink music fulfills an important function, creating cohesion and enhancing experiences in a subtle, downplayed manner.
Eventually, the quote records a duality in musical appreciation: music as a foreground experience, using deep engagement, and music as a background component, adding texture and depth to the tapestry of life. Cooke's metaphor catches a necessary fact about how we engage with soundscapes and how these interactions shape our social and cultural experiences.
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