"Don't worry about what others say about your music. Pursue whatever you are hearing... but if everybody really hates your music maybe you could try some different approaches"
About this Quote
Wynton Marsalis, the trumpeter, composer, and educator who has spent decades advocating for the tradition and rigor of jazz, urges artists to trust what they hear inside and to do the work of bringing it out. The emphasis on pursuing what you are hearing points to the musician’s inner ear, the personal vocabulary formed by listening, study, and lived experience. In jazz especially, that inner hearing is the engine of improvisation; it is how a player finds a line that fits the harmony and swings, how they converse with the band, and how they stake a claim to individuality.
But he couples that independence with a pragmatic check. If nobody is connecting, something in the translation from inner intention to audible result may be off. He is not arguing for popularity contests or pandering. He is reminding musicians that music is a communicative art, rooted in dialogue with other players and with audiences. The fix is not to abandon your voice, but to try different approaches: change the phrasing, the tempo, the voicings, the dynamic shape, the form; refine the craft so the idea lands.
That balance mirrors Marsalis’s own stance in the jazz world. He has often been a lightning rod, criticized for drawing a firm line around swing, blues feeling, time, and acoustic ensemble interplay. He has held to his convictions while also demonstrating, through relentless practice and performance, that tradition can be a platform for originality rather than a cage. His counsel asks musicians to be stubborn about their core values and flexible about their methods.
Underneath is a call to humility and persistence. Trust your ear, do not be rattled by noise or trends, and keep working until what you hear becomes clear to others. If the room goes cold, listen harder, adjust, and keep playing until the music speaks.
But he couples that independence with a pragmatic check. If nobody is connecting, something in the translation from inner intention to audible result may be off. He is not arguing for popularity contests or pandering. He is reminding musicians that music is a communicative art, rooted in dialogue with other players and with audiences. The fix is not to abandon your voice, but to try different approaches: change the phrasing, the tempo, the voicings, the dynamic shape, the form; refine the craft so the idea lands.
That balance mirrors Marsalis’s own stance in the jazz world. He has often been a lightning rod, criticized for drawing a firm line around swing, blues feeling, time, and acoustic ensemble interplay. He has held to his convictions while also demonstrating, through relentless practice and performance, that tradition can be a platform for originality rather than a cage. His counsel asks musicians to be stubborn about their core values and flexible about their methods.
Underneath is a call to humility and persistence. Trust your ear, do not be rattled by noise or trends, and keep working until what you hear becomes clear to others. If the room goes cold, listen harder, adjust, and keep playing until the music speaks.
Quote Details
| Topic | Music |
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