"Europe to me is young people trying to appear middle-aged and middle-aged people trying to appear young"
About this Quote
Myers is a comedian who built a career on exaggerated archetypes (Austin Powers' swinging retro cool, the self-mythologizing "international man of mystery"). That sensibility is all over this quote: he reduces "Europe" to a readable social gag, a quick silhouette of café culture, fashion, and inherited class signals. The humor comes from the symmetry. Both groups are chasing the same currency - legitimacy - but in opposite directions, so the whole thing feels like an endless escalator of self-presentation.
The subtext is also an American eye peering across the Atlantic with affectionate suspicion. In U.S. culture, acting older can read as ambition; acting younger reads as denial. Myers suggests Europe has institutionalized both impulses into everyday style: the student cosplaying seriousness, the professional trying to stay effortlessly modern. It's a dig, but a soft one - more observational than cruel - and it works because it names a familiar, global truth about how people use age as branding, then pins it to a place we like to romanticize.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Myers, Mike. (2026, January 18). Europe to me is young people trying to appear middle-aged and middle-aged people trying to appear young. FixQuotes. https://fixquotes.com/quotes/europe-to-me-is-young-people-trying-to-appear-7805/
Chicago Style
Myers, Mike. "Europe to me is young people trying to appear middle-aged and middle-aged people trying to appear young." FixQuotes. January 18, 2026. https://fixquotes.com/quotes/europe-to-me-is-young-people-trying-to-appear-7805/.
MLA Style (9th ed.)
"Europe to me is young people trying to appear middle-aged and middle-aged people trying to appear young." FixQuotes, 18 Jan. 2026, https://fixquotes.com/quotes/europe-to-me-is-young-people-trying-to-appear-7805/. Accessed 12 Feb. 2026.





