"Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music"

In this quote, Sonny Rollins recommends that American cultural music, especially classical music, has its roots in European customs. By referencing "the most jingoistic person", Rollins highlights the concept that even those with a severe patriotic predisposition preferring nationwide supremacy-- who may normally resist admitting foreign impacts-- would struggle to deny the extensive effect European classical music has actually had on American culture. His use of "jingoistic" is intentional, indicating that acknowledging cultural heritage and affects is essential, even if it challenges nationalist pride.

Rollins identifies symphonic music as "real European music", stressing the category's origins. European classical music is defined by its structured kinds, such as symphonies, concertos, and operas, and has actually been established over centuries by composers from nations like Germany, Austria, Italy, and France. This abundant history and artistry deeply influenced the evolution of music worldwide, including in the United States.

His statement highlights the notion that American classical music fundamentally borrows from this European tradition. With the influx of European immigrants to America, numerous cultural and musical customs crossed the Atlantic, combining with native and African musical influences to produce an unique American noise. Even as America developed its own music styles, from jazz to blues and nation, the fundamental aspects of harmony, notation, and theory remained grounded in European classical traditions.

Rollins' remark might likewise be interpreted as a suggestion of the interconnectedness of cultures and the value of diverse impacts in enriching a society's artistic landscape. By acknowledging the European roots of American symphonic music, he highlights the value of understanding and valuing cultural contributions from around the globe, fostering a more inclusive and precise view of cultural heritage.