"Experience is a good teacher, but she sends in terrific bills"
About this Quote
Experience gets feminized here not as a nurturing mentor but as a no-nonsense professional with an invoice book. Minna Antrim’s line works because it flips the sentimental cliche of “life lessons” into a consumer transaction: yes, you learn, but you pay - and the payment is rarely optional. The wit lands in the pairing of “good teacher” with “terrific bills,” a tonal swerve that turns moral growth into an economic hit. “Terrific” does double duty: impressive in scale, terrifying in effect.
The subtext is a quiet indictment of how we romanticize hardship. We tell ourselves that suffering is redeemed by wisdom, that mistakes are investments. Antrim doesn’t deny the learning; she punctures the sales pitch. The lesson arrives bundled with collateral damage: time wasted, relationships strained, pride bruised, money lost, health taxed. In other words, experience teaches by charging admission, then adding fees.
Context matters: Antrim wrote in an era when epigrams were a high-status form of social critique, especially for women writers navigating a culture that expected grace, not bite. Casting experience as “she” slyly mirrors the way women were expected to perform emotional labor - always instructing, always absorbing consequences - while also claiming authority for a female voice that can be sardonic, not simply comforting.
The intent is pragmatic cynicism with a wink: learn if you must, but don’t pretend the curriculum is free.
The subtext is a quiet indictment of how we romanticize hardship. We tell ourselves that suffering is redeemed by wisdom, that mistakes are investments. Antrim doesn’t deny the learning; she punctures the sales pitch. The lesson arrives bundled with collateral damage: time wasted, relationships strained, pride bruised, money lost, health taxed. In other words, experience teaches by charging admission, then adding fees.
Context matters: Antrim wrote in an era when epigrams were a high-status form of social critique, especially for women writers navigating a culture that expected grace, not bite. Casting experience as “she” slyly mirrors the way women were expected to perform emotional labor - always instructing, always absorbing consequences - while also claiming authority for a female voice that can be sardonic, not simply comforting.
The intent is pragmatic cynicism with a wink: learn if you must, but don’t pretend the curriculum is free.
Quote Details
| Topic | Learning from Mistakes |
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