"Experience teaches slowly, and at the cost of mistakes"
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Experience, in Froude's formulation, is less a kindly tutor than a creditor: it extends lessons on harsh terms and collects payment in errors. The line carries the crisp fatalism of a Victorian historian who watched grand narratives get written not by pure reason but by blunders, miscalculations, and unintended consequences. It works because it refuses the consoling fantasy that wisdom is transferable at scale. You can read manuals, absorb sermons, inhale ideology; the real syllabus is still personalized and bruising.
The subtext is an argument about human nature that sits neatly inside Froude's era. Nineteenth-century Britain was drunk on progress talk - industry, empire, reform - yet repeatedly confronted with policy fiascos, colonial violence, and the stubborn limits of planning. "Teaches slowly" needles the Enlightenment hope that knowledge naturally accumulates into better decisions. No: people repeat themselves, institutions ossify, and insights arrive late, after the damage has already secured its place in the record.
The second clause is the knife. "At the cost of mistakes" treats error as tuition, not as a moral anomaly. That framing strips away melodrama and also excuses nothing: the bill still comes due, often paid by others. As a historian, Froude is also warning his reader about the archive itself. What we call "experience" is frequently just the sediment of past failures, retrospectively arranged into lessons. The line doesn't romanticize suffering; it indicts our impatience for cheap wisdom and our tendency to demand outcomes without earning the knowledge to get them.
The subtext is an argument about human nature that sits neatly inside Froude's era. Nineteenth-century Britain was drunk on progress talk - industry, empire, reform - yet repeatedly confronted with policy fiascos, colonial violence, and the stubborn limits of planning. "Teaches slowly" needles the Enlightenment hope that knowledge naturally accumulates into better decisions. No: people repeat themselves, institutions ossify, and insights arrive late, after the damage has already secured its place in the record.
The second clause is the knife. "At the cost of mistakes" treats error as tuition, not as a moral anomaly. That framing strips away melodrama and also excuses nothing: the bill still comes due, often paid by others. As a historian, Froude is also warning his reader about the archive itself. What we call "experience" is frequently just the sediment of past failures, retrospectively arranged into lessons. The line doesn't romanticize suffering; it indicts our impatience for cheap wisdom and our tendency to demand outcomes without earning the knowledge to get them.
Quote Details
| Topic | Learning from Mistakes |
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