"Fighting for peace is like screwing for virginity"
About this Quote
Carlin lands the punchline with a crude precision that’s doing more than shock-comedy. The joke is engineered as a logic trap: pairing “fighting for peace” with “screwing for virginity” forces you to feel, viscerally, the self-canceling nature of certain public slogans. It’s not just that the means contradict the ends; it’s that the contradiction is so obvious you have to wonder what kind of language-work is being done to hide it.
The sexual metaphor isn’t incidental. “Virginity” is treated as an intact state that can’t be restored by the very act that negates it. Carlin borrows that irreversible, bodily clarity to puncture the moral fog around war rhetoric, where violence gets laundered into virtue by phrasing it as a route to stability, freedom, or “peace.” In his hands, the phrase “fighting for peace” isn’t merely misguided; it’s marketing. The obscenity functions like a truth serum, stripping the euphemisms that let audiences accept contradictions without feeling them.
Context matters: Carlin’s late-20th-century America was thick with patriotic language, Cold War justifications, and later the post-9/11 boom in security talk. He specialized in exposing how official vocabulary anesthetizes public conscience. The line’s intent is to make the listener complicit for a split second - you laugh, then you realize the laugh is a verdict on the premise. Carlin isn’t offering a policy alternative; he’s attacking the linguistic machinery that makes perpetual war sound like civic hygiene.
The sexual metaphor isn’t incidental. “Virginity” is treated as an intact state that can’t be restored by the very act that negates it. Carlin borrows that irreversible, bodily clarity to puncture the moral fog around war rhetoric, where violence gets laundered into virtue by phrasing it as a route to stability, freedom, or “peace.” In his hands, the phrase “fighting for peace” isn’t merely misguided; it’s marketing. The obscenity functions like a truth serum, stripping the euphemisms that let audiences accept contradictions without feeling them.
Context matters: Carlin’s late-20th-century America was thick with patriotic language, Cold War justifications, and later the post-9/11 boom in security talk. He specialized in exposing how official vocabulary anesthetizes public conscience. The line’s intent is to make the listener complicit for a split second - you laugh, then you realize the laugh is a verdict on the premise. Carlin isn’t offering a policy alternative; he’s attacking the linguistic machinery that makes perpetual war sound like civic hygiene.
Quote Details
| Topic | Peace |
|---|---|
| Source | Quote attributed to George Carlin — listed on Wikiquote (George_Carlin) under relevant entries; commonly cited without a single definitive original publication date. |
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